Literary Criticism Books

I Race, Nation, and Book Many years ago, as a student in a foreign university, I remember attacking, with the complacency of youth, a German history of the English drama, in six volumes. I lost courage long before the author reached the age of Elizabeth, but I still recall the subject of the opening chapter: it was devoted to the physical geography of Great Britain. Writing, as the good German... more...

PREFACE. As the title-page of this volume indicates, no more is here attempted than a memorial of Charles Dickens in association with his Readings. It appeared desirable that something in the shape of an accurate record should be made of an episode in many respects so remarkable in the career of the most popular author of his generation. A commemorative volume, precisely of this character, was... more...

CHAPTER I. "The scene was savage, but the scene was new." Scientists tell us many marvellous tales, none the less true because marvellous, about the prehistoric past. Like the owl in the preface, they are not discouraged because the starting-point is beyond reach; and we, like the cat, should try to awaken our interest when evidences are presented to us that on first hearing sound like the... more...

PREFACE: ON FLUCTUATIONS OF TASTE When Voltaire sat down to write a book on Epic Poetry, he dedicated his first chapter to "Differences of Taste in Nations." A critic of to-day might well find it necessary, on the threshold of a general inquiry, to expatiate on "Differences of Taste in Generations." Changes of standard in the arts are always taking place, but it is only with advancing... more...

EARLY LIFE. 'I was of a low and inconsiderable generation, my father's house being of that rank that is meanest and most despised of all families in the land.' 'I never went to school, to Aristotle or Plato, but was brought up in my father's house in a very mean condition, among a company of poor countrymen.' 'Nevertheless, I bless God that by this door He brought me... more...

WALTER CRANE 1893 See handwritten text Mr Dallas's reproductions of my pen drawings for this work appear to me to be very faithful & successful in preserving the touch & general character of the originals. I have to certify that I have printed 650 copies of each of these eight subjects designed by Walter Crane, and engraved in Dallastype Facsimile by myself. Six Hundred Copies are for... more...

WILFRED WHITTEN'S PROSE 4 Apr. '08 An important book on an important town is to be issued by Messrs. Methuen. The town is London, and the author Mr. Wilfred Whitten, known to journalism as John o' London. Considering that he comes from Newcastle-on-Tyne (or thereabouts), his pseudonym seems to stretch a point. However, Mr. Whitten is now acknowledged as one of the foremost experts in... more...

CHAPTER I. Burlesque—Parody—The "Splendid Shilling"—Prior—Pope—Ambrose Philips—Parodies of Gray's Elegy—Gay. Burlesque, that is comic imitation, comprises parody and caricature. The latter is a valuable addition to humorous narrative, as we see in the sketches of Gillray, Cruikshank and others. By itself it is not sufficiently suggestive and affords no story or conversation.... more...

I have already spoken of my earliest meetings with Lowell at Cambridge when I came to New England on a literary pilgrimage from the West in 1860. I saw him more and more after I went to live in Cambridge in 1866; and I now wish to record what I knew of him during the years that passed between this date and that of his death. If the portrait I shall try to paint does not seem a faithful likeness to... more...

As was explained in the Note to the Preface of the previous editions and impressions of this book, after the first, hardly one of them appeared without careful revision, and the insertion of a more or less considerable number of additions and corrections. I found, indeed, few errors of a kind that need have seemed serious except to Momus or Zoilus. But in the enormous number of statements of fact which... more...