SAINT AUGUSTINE The Confessions of St. Augustine are the first autobiography, and they have this to distinguish them from all other autobiographies, that they are addressed directly to God. Rousseau's unburdening of himself is the last, most effectual manifestation of that nervous, defiant consciousness of other people which haunted him all his life. He felt that all the men and women whom he passed on his way through the world were at watch... more...

EMERSON I "Leave this hypocritical prating about the masses. Masses are rude, lame, unmade, pernicious in their demands and influence, and need not to be flattered, but to be schooled. I wish not to concede anything to them, but to tame, drill, divide, and break them up, and draw individuals out of them. The worst of charity is that the lives you are asked to preserve are not worth preserving. Masses! The calamity is the masses. I do not wish... more...

CHAPTER I NATURE AND OFFICE OF CRITICISM 1. Purpose of Literary Study. The study or reading of literature ordinarily has a threefold purpose,—knowledge, pleasure, and culture. This purpose shows us both the character of the literature which should be read and the manner in which it should be read. As a rule we should read only books of recognized excellence, and read them with sympathetic intelligence. Trashy books, whatever pleasure they... more...

Introduction What little is known of the life of Samuel Cobb (1675-1713) may be found in the brief article in the Dictionary of National Biography by W.P. Courtney. He was born in London, and educated at Christ's Hospital and at Trinity College, Cambridge, where he obtained the degrees of B.A., 1698, and M.A., 1702. He was appointed "under grammar master" at Christ's Hospital in 1702 and continued his connection with this school until his early... more...

The question of a final criterion for the appreciation of art is one that perpetually recurs to those interested in any sort of aesthetic endeavor. Mr. John Addington Symonds, in a chapter of 'The Renaissance in Italy' treating of the Bolognese school of painting, which once had so great cry, and was vaunted the supreme exemplar of the grand style, but which he now believes fallen into lasting contempt for its emptiness and soullessness, seeks to... more...

The proceedings which have now been brought satisfactorily to an end are of a kind which nobody who has sensibility as well as sense can take a part in without some emotion. An illustrious French philosopher who happened to be an examiner of candidates for admission to the Polytechnic School, once confessed that, when a youth came before him eager to do his best, competently taught, and of an apt intelligence, he needed all his self-control to... more...

WILFRED WHITTEN'S PROSE 4 Apr. '08 An important book on an important town is to be issued by Messrs. Methuen. The town is London, and the author Mr. Wilfred Whitten, known to journalism as John o' London. Considering that he comes from Newcastle-on-Tyne (or thereabouts), his pseudonym seems to stretch a point. However, Mr. Whitten is now acknowledged as one of the foremost experts in London topography. He is not an archæologist, he is a... more...

The Function of Criticism It is curious and interesting to find our younger men of letters actively concerned with the present condition of literary criticism. This is a novel preoccupation for them and one which is, we believe, symptomatic of a general hesitancy and expectation. In the world of letters everything is a little up in the air, volatile and uncrystallised. It is a world of rejections and velleities; in spite of outward similarities,... more...

INTRODUCTION These papers were originally published as prefaces to the separate books of Dickens in one of the most extensive of those cheap libraries of the classics which are one of the real improvements of recent times. Thus they were harmless, being diluted by, or rather drowned in Dickens. My scrap of theory was a mere dry biscuit to be taken with the grand tawny port of great English comedy; and by most people it was not taken at... more...

PREFACE. Although only the grandson of the first of his name, the author of the following interesting specimen of 16th-century criticism came of a family of great antiquity, of so great an antiquity, indeed, as to preclude our tracing it back to its origin. This family was originally known as the “De Botfelds,” but in the 15th century one branch adopted the more humble name of “Thynne,” or “of the Inne.” Why... more...