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by: Nat Gould
CHAPTER I "WILL HE MARRY HER?" "Do you think he will marry her?" asked Harry Morby. "Does anybody know what he will do," replied Vincent Newport, discussing their host Alan Chesney, of Trent Park, a beautiful estate in Nottinghamshire, close to the Dukeries, Sherwood Forest, and the picturesque village of Ollerton. In the billiard room they had just finished a game of a hundred... more...

Introduction My aim in this little book has been to give short sketches and estimates of the greatest modern English writers from Macaulay to Stevenson and Kipling. Omissions there are, but my effort has been to give the most characteristic writers a place and to try to stimulate the reader's interest in the man behind the book as well as in the best works of each author. Too much space is devoted... more...

OVER THE WAY I had been living at Tunbridge Wells and nowhere else, going on for ten years, when my medical man—very clever in his profession, and the prettiest player I ever saw in my life of a hand at Long Whist, which was a noble and a princely game before Short was heard of—said to me, one day, as he sat feeling my pulse on the actual sofa which my poor dear sister Jane worked before her spine... more...


SCENE.—London. ACT I. SCENE I.—FAILER entering to BURR, who is putting on his buff-coat. Fail. What! not ready yet, man? Burr. You do not consider my voyage from Holland last night. Fail. Pish, a mere ferry; get up, get up: My cousin's maids will come and blanket thee anon; art thou not ashamed to lie a-bed so long? Burr. I may be more ashamed to rise; and so you'll say, dear heart, if... more...

CHAPTER I By a window looking from Posillipo upon the Bay of Naples sat an English lady, engaged in letter-writing. She was only in her four-and-twentieth year, but her attire of subdued mourning indicated widowhood already at the stage when it is permitted to make quiet suggestion of freedom rather than distressful reference to loss; the dress, however, was severely plain, and its grey coldness, which... more...

CHAPTER I As he waited for his breakfast, never served to time, Mr. Lashmar drummed upon the window-pane, and seemed to watch a blackbird lunching with much gusto about the moist lawn of Alverholme Vicarage. But his gaze was absent and worried. The countenance of the reverend gentleman rarely wore any other expression, for he took to heart all human miseries and follies, and lived in a ceaseless mild... more...

CHAPTER I. A PRELIMINARY VIEW. Anglo-Saxon literature is the oldest of the vernacular literatures of modern Europe; and it is a consequence of this that its relations with Latin literature have been the closest. All the vernacular literatures have been influenced by the Latin, but of Anglo-Saxon literature alone can it be said that it has been subjected to no other influence. This literature was nursed... more...

PREFACE. An indistinct recollection of the very pretty little tale, called "The Bellows-Mender," suggested the plot of this Drama. The incidents are, however, greatly altered from those in the tale, and the characters entirely re-cast. Having long had a wish to illustrate certain periods of the French history, so, in the selection of the date in which the scenes of this play are laid, I saw... more...

THE POOR SCHOLAR. One day about the middle of November, in the year 18—, Dominick M'Evoy and his son Jemmy were digging potatoes on the side of a hard, barren hill, called Esker Dhu. The day was bitter and wintry, the men were thinly clad, and as the keen blast swept across the hill with considerable violence, the sleet-like rain which it bore along pelted into their garments with pitiless... more...