English, Irish, Scottish, Welsh Books

INTRODUCTION THE KINDS OF CRITICISM It is probably unnecessary, and might possibly be impertinent, to renew here at any length the old debate between reviewers as reviewers, and reviewers as authors—the debate whether the reissue of work contributed to periodicals is desirable or not. The plea that half the best prose literature of this century would be inaccessible if the practice had been... more...

THE STATION. Our readers are to suppose the Reverend Philemy M'Guirk, parish priest of Tir-neer, to be standing upon the altar of the chapel, facing the congregation, after having gone through the canon of the Mass; and having nothing more of the service to perform, than the usual prayers with which he closes the ceremony. "Take notice, that the Stations for the following week will be held as... more...

CHAPTER I. Walter Scott.[1] It was reserved for Walter Scott, "the Ariosto of the North," "the historiographer royal of feudalism," to accomplish the task which his eighteenth-century forerunners had essayed in vain. He possessed the true enchanter's wand, the historic imagination. With this in his hand, he raised the dead past to life, made it once more conceivable, made it even... more...

Introduction My aim in this little book has been to give short sketches and estimates of the greatest modern English writers from Macaulay to Stevenson and Kipling. Omissions there are, but my effort has been to give the most characteristic writers a place and to try to stimulate the reader's interest in the man behind the book as well as in the best works of each author. Too much space is devoted... more...

CHAPTER I. A PRELIMINARY VIEW. Anglo-Saxon literature is the oldest of the vernacular literatures of modern Europe; and it is a consequence of this that its relations with Latin literature have been the closest. All the vernacular literatures have been influenced by the Latin, but of Anglo-Saxon literature alone can it be said that it has been subjected to no other influence. This literature was nursed... more...

ACT I TABLEAU I The Double Life The Stage represents a room in the Deacon’s house, furnished partly as a sitting-, partly as a bed-room, in the style of an easy burgess of about 1780. C., a door; L.C., second and smaller door; R.C., practicable window; L., alcove, supposed to contain bed; at the back, a clothes-press and a corner cupboard containing bottles, etc. Mary Brodie at needlework; Old... more...

INTRODUCTION François Marie Arouet, who called himself Voltaire, was the son of François Arouet of Poitou, who lived in Paris, had given up his office of notary two years before the birth of this his third son, and obtained some years afterwards a treasurer’s office in the Chambre des Comptes.  Voltaire was born in the year 1694.  He lived until within ten or eleven years of the outbreak of the... more...

[3] THE making of an anthology of English prose is what must have occurred to many of its students, by way of pleasure to themselves, or of profit to other persons. Such an anthology, the compass and variety of our prose literature being considered, might well follow exclusively some special line of interest in it; exhibiting, for instance, what is so obviously striking, its imaginative power, or its... more...

INTRODUCTION ‘Lavengro’ and ‘The Romany Rye’ are one book, though the former was published in 1851 and the latter not until 1857.  After a slumber of six years the dingle re-awakes to life, Lavengro’s hammer shatters the stillness, and the blaze of his forge again lights up its shadows, while all the strange persons of the drama take up their parts at the point where the curtain had been so... more...