Classics Books

PREFACE The pessimistic tone of Continental fiction, and its pronounced preference for minute and morbid analysis, are quite revolutionizing the modern novel. Fiction is ceasing to be a branch of art, and fast becoming, instead, a branch of science. The aim of the novelist, apparently, is to lecture instead of to amuse his readers. Plot, incident, and description are being sacrificed more and more to... more...

I. INTRODUCTION Of the nations which have contributed to the direct stream of civilization, Egypt and Mesopotamia are at present believed to be the oldest. The chronological dispute as to the relative antiquity of the two countries is of minor importance; for while in Babylonia the historical material is almost entirely inscriptional, in Egypt we know the handicrafts, the weapons, the arts, and, to a... more...

C H A P. I. Who is a Surgeon? A Person skill'd in curing Diseases incident to Humane Bodies by a methodical Application of the Hand. What are the Qualifications of a good Surgeon in general? They are three in Number: viz. Skill in the Theory, Experience in the Practical part, and a gentle Application of the Hand. Why ought a Surgeon to be skilful? Because without a discerning Faculty he can... more...

The black-emerald water swirled and broke in many silver gleamings. From the misty center of the pool rose a vast but beautiful head. The long dripping hair was not hair, but had a rippling life of its own. The great lonely eyes and wide scarlet mouth were far more lovely than any human's. The gleaming green shoulders and shapely long arms ended in graceful webbed fingers. The red tipped breasts... more...

BOOK I SYLVIA AS WIFE 1. I am telling the story of Sylvia Castleman. I should prefer to tell it without mention of myself; but it was written in the book of fate that I should be a decisive factor in her life, and so her story pre-supposes mine. I imagine the impatience of a reader, who is promised a heroine out of a romantic and picturesque "society" world, and finds himself beginning with the... more...

CHAPTER I So we settled it all when the storm was doneAs comf'y as comf'y could be;And I was to wait in the barn, my dears,Because I was only three;And Teddy would run to the rainbow's foot,Because he was five and a man;And that's how it all began, my dears,And that's how it all began. —Big Barn Stories. 'WHAT do you think she'd do if she caught us? We oughtn't... more...

TWO ASPECTS OF LITERARY STUDY. Such a study of Literature as that for which the present book is designed includes two purposes, contributing to a common end. In the first place (I), the student must gain some general knowledge of the conditions out of which English literature has come into being, as a whole and during its successive periods, that is of the external facts of one sort or another without... more...

PROLOGUE At the piano a man sat playing the "Revolutionary Étude" of Chopin. The room was magnificent in its proportions, its furnishings were massive, its paneled oak walls were hung with portraits of men and women in the costumes of a bygone day. Through the lofty windows, the casements of which were open to the evening sky there was a vista of forest and meadow-land stretching interminably... more...

Introduction In his book, Le Débâcle, Zola shows in a vivid and intelligible manner the downfall of Napoleon III. and his army, and paints in his usual matter-of-fact tints the actual condition of the great host led forth to destruction. He makes us read in the soul of the common French soldier and in that of his commanding officer. The keen analysis of the characters he portrays enables us humanly... more...

CHAPTER IA FAREWELL BANQUET "D'Aumont!" "Eh? d'Aumont!" The voice, that of a man still in the prime of life, but already raucous in its tone, thickened through constant mirthless laughter, rendered querulous too from long vigils kept at the shrine of pleasure, rose above the incessant babel of women's chatter, the din of silver, china and glasses passing to and fro.... more...