Classics Books

The author of Lavengro, the Scholar, the Gypsy, and the Priest has after his fitful hour come into his own, and there abides securely.  Borrow’s books,—carelessly written, impatient, petulant, in parts repellant,—have been found so full of the elixir of life, of the charm of existence, of the glory of motion, so instinct with character, and mood, and wayward fancy, that their very names are... more...

Chapter One. The Ban. The grey London sunlight shone on the face of the patient as she sat facing the long window of the consulting-room, on the finely cut features, sensitive lips, and clear, dilated eyes. The doctor sat in the shadow, leaning back in his chair, tapping softly with his fingers upon the desk. “And you must not be afraid,” he said, following a vigorous cross-questioning with his... more...

When the first gun was fired at Fort Sumter, its sullen echoes sounded the funeral knell of Slavery. Years before, it had been foretold, and now it was to happen. Years before, it had been declared, by competent authority, that among the implications of the Constitution was that of the power of the General Government to Emancipate the Slaves, as a War measure. Hence, in thus commencing the War of the... more...

THE JEWS AND THE ROMANS The life and works of Flavius Josephus are bound up with the struggle of the Jews against the Romans, and in order to appreciate them it is necessary to summarize the relations of the two peoples that led up to that struggle. It is related in the Midrash that the city of Rome was founded on the day Solomon married an Egyptian princess. The Rabbis doubtless meant by this legend... more...

CHAPTER I A GLANCE AT THE BACKGROUND It is a gray day in autumn. I am sitting at my desk, wondering how to begin the first chapter of this book about poetry. Outside the window a woman is contentedly kneeling on the upturned brown earth of her tulip-bed, patting lovingly with her trowel as she covers the bulbs for next spring's blossoming. Does she know Katharine Tynan's verses about... more...

HEPSEY BURKE The noisy, loose-jointed train pulled out of the station, leaving behind it a solitary young man, enveloped in smoke and cinders. In the middle of the platform stood a little building with a curb roof, pointed at both ends like a Noah’s Ark; and the visitor felt that if he could only manage to lift up one side of the roof he would find the animals “two by two,” together with the... more...

INTRODUCTION A person standing on the North Rim of the Mesa Verde in southwestern Colorado sees a vast green plain sloping away to the south. The plain drops 2000 feet in ten miles. On a clear evening, before the sun reaches the horizon, the rays of the sun are reflected from great sandstone cliffs forming the walls of deep canyons that appear as crooked yellow lines in the distance. Canyon after... more...

ON THE STREETS OF ANTWERP. “Good-bye, Elmer, and you, too, Rooster!” “It’s too bad we have to hurry home, and break up the Big Five Motorcycle Boys’ combination, just when we’ve been having such royal good times over in the country of the Great War!” “But there was nothing else to do, Elmer, when you got that cable message telling you to take the first steamer home, as your mother was... more...

If it were not for the people, the journey by steamer from Belgrade to Pesth would be rather unromantic. When the Servian capital is reached in ascending the great stream from Galatz and Rustchuk, the picturesque cliffs, the mighty forests, the moss-grown ruins overhanging the rushing waters, are all left behind. Belgrade is not very imposing. It lies along a low line of hills bordering the Sava and... more...

INTRODUCTION AND ANALYSIS. Some dialogues of Plato are of so various a character that their relation to the other dialogues cannot be determined with any degree of certainty. The Theaetetus, like the Parmenides, has points of similarity both with his earlier and his later writings. The perfection of style, the humour, the dramatic interest, the complexity of structure, the fertility of illustration,... more...