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Classics Books
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by:
Frank V. Webster
CHAPTER I AN EXCITING ESCAPE Twilight was settling on the land. The forms of trees and houses loomed big and black, their sharp outlines suggesting fanciful forms to the minds of two boys hurrying along the road which like a ribbon wound In and out among the low hills surrounding the town of Bramley, in south-western Ohio. As the darkness increased lights began to twinkle from the windows of the...
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PROEMMother of Rome, delight of Gods and men,Dear Venus that beneath the gliding starsMakest to teem the many-voyaged mainAnd fruitful lands—for all of living thingsThrough thee alone are evermore conceived,Through thee are risen to visit the great sun—Before thee, Goddess, and thy coming on,Flee stormy wind and massy cloud away,For thee the daedal Earth bears scented flowers,For thee waters of the...
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by:
William Morris
CHAPTER I: DISCUSSION AND BED Up at the League, says a friend, there had been one night a brisk conversational discussion, as to what would happen on the Morrow of the Revolution, finally shading off into a vigorous statement by various friends of their views on the future of the fully-developed new society. Says our friend: Considering the subject, the discussion was good-tempered; for those present...
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Theodore Wilder
The History of Company C is properly connected with the history of Oberlin College, the Alma Mater of its organization. The majority of its members were proud to be known as the exponents of the generous, Christian principles, there so fearlessly uttered and so zealously inculcated. The founders of Oberlin were pledged to the general law of benevolence. All known forms of virtue were cheerfully...
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Upton Sinclair
The scenes of the Play-play change with each act. For Act I the set is a drawing-room in a wealthy old New York home, entrances Right-center and Left. Both front and rear scenes are lighted by many small lights, which can be turned off a few at a time, so that one scene or the other fades slowly. When the Real-play is in full light, the Play-play is dark and invisible. When the front scene is entirely...
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No description available
INGERSOLL'S LECTURE ON GODS Ladies and Gentlemen: An honest god is the noblest work of man. Each nation has created a god, and the god has always resembled his creators. He hated and loved what they hated and loved, and he was invariably found on the side of those in power. Each god was intensely patriotic, and detested all nations but his own. All these Gods demanded praise, flattery, and...
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by:
George Newnes
I once knew two industrious mechanics named Pierre and Baptiste. They dwelt in a ramshackle tenement at Sault aux Belœuil, where each had half-a-dozen children to support, besides their wives; who, it is grievous to relate, were drones. They were only nominally acquainted with that godly art commonly associated with charwomen. Pierre and Baptiste were hard workers. They worked far into the night and,...
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by:
Bertram Mitford
Prologue. “Just consider! You would soon get to hate me. I should be the ruin of you.” Thus the owner of the bright, sparkling face which was turned, half mockingly, half ruefully, upon that of her companion. Looking out killingly from under the broad-brimmed hat, the dark, lustrous eyes seemed to melt into his. “How can you say such a thing?” was the reply, in the deep, half-tremulous tone of...
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by:
Edith Wharton
THE MUSE'S TRAGEDY Danyers afterwards liked to fancy that he had recognized Mrs. Anerton at once; but that, of course, was absurd, since he had seen no portrait of her—she affected a strict anonymity, refusing even her photograph to the most privileged—and from Mrs. Memorall, whom he revered and cultivated as her friend, he had extracted but the one impressionist phrase: "Oh, well,...
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