Fiction Books

AN OLD NOBLEMAN AND AN OLD MAÎTRE-D'HÔTEL. It was the beginning of April, 1784, between twelve and one o'clock. Our old acquaintance, the Marshal de Richelieu, having with his own hands colored his eyebrows with a perfumed dye, pushed away the mirror which was held to him by his valet, the successor of his faithful Raffè and shaking his head in the manner peculiar to himself, "Ah!"... more...

FEEDING HER BIRDS Original Picture: Lille Museum, Lille, France. Artist: Jean François Millet (zhäN fräN´swä´´ mÄ“´lÄ•´´). Birthplace: Gruchy, France. Dates: Born, 1814; died, 1875. Questions to arouse interest. What do you see in this picture? What are the children doing? Where do they live? On what are they sitting? Whom can you see behind the house? What is he doing? What... more...

It was last winter, after a twelve years' absence from New York, that I saw again, at one of the Jim Cumnors' dinners, my old friend Halston Merrick. The Cumnors' house is one of the few where, even after such a lapse of time, one can be sure of finding familiar faces and picking up old threads; where for a moment one can abandon one's self to the illusion that New York humanity is... more...

CHAPTER I.Roll on thou deep and dark blue ocean roll;. . . . . . Upon the watery plain.The wrecks are all thy deed, nor doth remainA shadow of man's ravage, save his own,When for a moment like a drop of rain,He sinks into thy depths with bubbling groan,Without a grave, unknelled, uncoffined, and unknown. September 27, 1607. Dead bodies everywhere. The ocean, lashed to fury by the gale of... more...

CHAPTER FIRST. FRANCES MEETS THE SPECTACLE MAN."The bridge is broke, and I have to mend it,  Fol de rol de ri do, fol de rol de ri do—"sang the Spectacle Man, leaning his elbows on the show-case, with his hands outspread, and the glasses between a thumb and finger, as he nodded merrily at Frances. Such an odd-looking person as he was! Instead of an ordinary coat he wore a velvet... more...

CHAPTER ONE "Ideas," she said. "Oh, as for ideas—" "Well?" I hazarded, "as for ideas—?" We went through the old gateway and I cast a glance over my shoulder. The noon sun was shining over the masonry, over the little saints' effigies, over the little fretted canopies, the grime and the white streaks of bird-dropping. "There," I said, pointing toward it,... more...

PROLOGUE. It was November in London. The great city was buried under a dank, yellow fog. Traffic was temporarily checked; foot passengers groped their way by the light of the street lamps, and the hoarse shouts of the link boys running before cabs and carriages with blazing torches rang at intervals above the muffled rumble of countless wheels. In the coffee-room of a quiet hotel on the Strand a young... more...

CHAPTER I The poor young man hesitated and procrastinated: it cost him such an effort to broach the subject of terms, to speak of money to a person who spoke only of feelings and, as it were, of the aristocracy.  Yet he was unwilling to take leave, treating his engagement as settled, without some more conventional glance in that direction than he could find an opening for in the manner of the large... more...

THE COOK'S WEDDING GRISHA, a fat, solemn little person of seven, was standing by the kitchen door listening and peeping through the keyhole. In the kitchen something extraordinary, and in his opinion never seen before, was taking place. A big, thick-set, red-haired peasant, with a beard, and a drop of perspiration on his nose, wearing a cabman's full coat, was sitting at the kitchen table on... more...

I In the year 1873— No, do not turn away from such an opening; I shall reach our own day within a paragraph or so. In the year 1873, then, Johnny McComas was perfectly willing to stand to one side while Raymond Prince, surrounded by several of the fellows, came down, in his own negligent and self-assured way, the main stairway of Grant's Private Academy. For Johnny was newer there; Johnny was... more...