Fiction Books

PREFACE "The Portrait of a Lady" was, like "Roderick Hudson," begun in Florence, during three months spent there in the spring of 1879. Like "Roderick" and like "The American," it had been designed for publication in "The Atlantic Monthly," where it began to appear in 1880. It differed from its two predecessors, however, in finding a course also open to it, from... more...

On the morrow, in the evening, Lord Warburton went again to see his friends at their hotel, and at this establishment he learned that they had gone to the opera. He drove to the opera with the idea of paying them a visit in their box after the easy Italian fashion; and when he had obtained his admittance—it was one of the secondary theatres—looked about the large, bare, ill-lighted house. An act... more...

CHAPTER I Overhead the clouds cloaked the sky; a ragged cloak it was, and, here and there, a star shone through a hole, to be obscured almost instantly as more cloud tatters were hurled across the rent. The pines threshed on the hill tops. The bare branches of the wild-cherry and silverleaf trees scraped and rattled and tossed. And the wind, the raw, chilling December wind, driven in, wet and salty,... more...

CHAPTER I INTRODUCTORY The twentieth century is the age of Woman; some day, it may be that it will be looked back upon as the golden age, the dawn, some say, of feminine civilisation. We cannot estimate as yet; and no man can tell what forces these new conditions may not release in the soul of woman. The modern change is that the will of woman is asserting itself. Women are looking for a satisfactory... more...

CHAPTER I. INTRODUCTORY SOME DETAILS OF THE BIOGRAPHY OF THAT HIGHLY RESPECTED GENTLEMAN STEPAN TROFIMOVITCH VERHOVENSKY. IN UNDERTAKING to describe the recent and strange incidents in our town, till lately wrapped in uneventful obscurity, I find myself forced in absence of literary skill to begin my story rather far back, that is to say, with certain biographical details concerning that talented and... more...

The scenes of the Play-play change with each act. For Act I the set is a drawing-room in a wealthy old New York home, entrances Right-center and Left. Both front and rear scenes are lighted by many small lights, which can be turned off a few at a time, so that one scene or the other fades slowly. When the Real-play is in full light, the Play-play is dark and invisible. When the front scene is entirely... more...

THE POT OF GOLD. The Flower family lived in a little house in a broad grassy meadow, which sloped a few rods from their front door down to a gentle, silvery river. Right across the river rose a lovely dark green mountain, and when there was a rainbow, as there frequently was, nothing could have looked more enchanting than it did rising from the opposite bank of the stream with the wet, shadowy mountain... more...

"OUR BEST SOCIETY." If gilt were only gold, or sugar-candy common sense, what a fine thing our society would be! If to lavish money upon objets de vertu, to wear the most costly dresses, and always to have them cut in the height of the fashion; to build houses thirty feet broad, as if they were palaces; to furnish them with all the luxurious devices of Parisian genius; to give superb banquets;... more...

Brackley Hall was a fine old place in the lovely country of Devon and had been in the possession of the Etheridges for centuries. The park was beautifully wooded, and stretched down on one side to the coast, commanding in all directions the most enchanting views. Mr. Etheridge was a man of some forty years of age, of singularly handsome appearance, and bore evident traces of the Italian blood which... more...

CHAPTER I   LISA'S KNIGHT AND LISA'S SISTER It had come at last, the moment I had been thinking about for days. I was going to have him all to myself, the only person in the world I ever loved. He had asked me to sit out two dances, and that made me think he really must want to be with me, not just because I'm the "pretty girl's sister," but because I'm myself, Lisa... more...