Fiction Books

CHAPTER I THE TRYST (In the Garden of the Chapelle Expiatoire) They were to have met in the garden of the Chapelle Expiatoire at five o'clock in the afternoon, but Julio Desnoyers with the impatience of a lover who hopes to advance the moment of meeting by presenting himself before the appointed time, arrived an half hour earlier. The change of the seasons was at this time greatly confused in his... more...

"It's your own choosing," said the man with the withered arm once more. I heard the faint sound of a stick and a shambling step on the flags in the passage outside. The door creaked on its hinges as a second old man entered, more bent, more wrinkled, more aged even than the first. He supported himself by the help of a crutch, his eyes were covered by a shade, and his lower lip, half... more...

HE was walking endlessly down a long, glass-walled corridor. Bright sunlight slanted in through one wall, on the blue knapsack across his shoulders. Who he was, and what he was doing here, was clouded. The truth lurked in some corner of his consciousness, but it was not reached by surface awareness. The corridor opened at last into a large high-domed room, much like a railway station or an air... more...

PREFACE. I propose, in the following pages, to consider the possibilities of a satisfactory intellectual life under various conditions of ordinary human existence. It will form a part of my plan to take into account favorable and unfavorable influences of many kinds; and my chief purpose, so far as any effect upon others may be hoped for, will be to guard some who may read the book alike against the... more...

The Blind Spot opens with the words: "Perhaps it were just as well to start at the beginning. A mere matter of news." Suppose I use them in the same sense: A mere matter of news: The first instalment of this fabulous novel was featured in Argosy-All-Story-Weekly for May 14, 1921. Described as a "different" serial, it was introduced by a cover by Modest Stein. In the foreground was the... more...

LETTER I MR. LOVELACE, TO JOHN BELFORD, ESQ. SAT. MIDNIGHT. No rest, says a text that I once heard preached upon, to the wicked—and I cannot close my eyes (yet only wanted to compound for half an hour in an elbow-chair)—so must scribble on. I parted with the Captain after another strong debate with him in relation to what is to be the fate of this lady. As the fellow has an excellent head, and... more...

A pelting rain volleyed against the great glass dome of the terminus, a roaring wind boomed in the roof. Passengers, hurrying along the platform, glistened in big coats and tweed caps pulled close over their ears. By the platform the night express was drawn up—a glittering mass of green and gold, shimmering with electric lights, warm, inviting, and cozy. Most of the corridor carriages and sleeping... more...

I. IN A GARDEN "I wonder what makes Nick so late?" Carmen Gaylor thought, hovering in the doorway between the dim, cool hall and the huge veranda that was like an out-of-doors drawing-room. Though she spoke English well—almost as well as if she had not been born in Spain and made her greatest successes in the City of Mexico—Carmen thought in Spanish, for her heart was Spanish, and her... more...

CHAPTER I. Two years of service in the Zouaves had wrought a change in Anastase Gouache, the painter. He was still a light man, nervously built, with small hands and feet, and a delicate face; but constant exposure to the weather had browned his skin, and a life of unceasing activity had strengthened his sinews and hardened his compact frame. The clustering black curls were closely cropped, too, while... more...

PART I I IT rose for them—their honey-moon—over the waters of a lake so famed as the scene of romantic raptures that they were rather proud of not having been afraid to choose it as the setting of their own. "It required a total lack of humour, or as great a gift for it as ours, to risk the experiment," Susy Lansing opined, as they hung over the inevitable marble balustrade and watched... more...