Fiction Books

"What do you call it?" the buyer asked Jenkins. "I named it 'Journey Home' but you can think up a better name for it if you want. I'll guarantee that it sells, though. There's nothing like it on any midway." "I'd like to try it out first, of course," Allenby said. "Star-Time uses only the very best, you know." "Yes, I know," Jenkins said.... more...

Act I Time: About the time of the decadence in Babylon. Scene: The jungle city of Thek in the reign of King Karnos. Tharmia: You know that my lineage is almost divine. Arolind: My father's sword was so terrible that he had to hide it with a cloak. Tharmia: He probably did that because there were no jewels in the scabbard. Arolind: There were emeralds in it that outstared the sea. * * * * * * * *... more...

ACT I The SCENE is the pretty drawing-room of a flat. There are two doors, one open into the hall, the other shut and curtained. Through a large bay window, the curtains of which are not yet drawn, the towers of Westminster can be seen darkening in a summer sunset; a grand piano stands across one corner. The man-servant PAYNTER, clean-shaven and discreet, is arranging two tables for Bridge. BURNEY, the... more...

ACT I SCENE I The scene is a well-lighted, and large, oak-panelled hall, with an air of being lived in, and a broad, oak staircase. The dining-room, drawing-room, billiard-room, all open into it; and under the staircase a door leads to the servants' quarters. In a huge fireplace a log fire is burning. There are tiger-skins on the floor, horns on the walls; and a writing-table against the wall... more...

ACT I It is Ascension Day in a village of the West. In the low panelled hall-sittingroom of the BURLACOMBE'S farmhouse on the village green, MICHAEL STRANGWAY, a clerical collar round his throat and a dark Norfolk jacket on his back, is playing the flute before a very large framed photograph of a woman, which is the only picture on the walls. His age is about thirty-five his figure thin and very... more...

ACT I SCENE I The curtain rises on the BARTHWICK'S dining-room, large, modern, and well furnished; the window curtains drawn. Electric light is burning. On the large round dining-table is set out a tray with whisky, a syphon, and a silver cigarette-box. It is past midnight. A fumbling is heard outside the door. It is opened suddenly; JACK BARTHWICK seems to fall into the room. He stands holding by... more...

ACT I SCENE I The study of JOHN BUILDER in the provincial town of Breconridge. A panelled room wherein nothing is ever studied, except perhaps BUILDER'S face in the mirror over the fireplace. It is, however, comfortable, and has large leather chairs and a writing table in the centre, on which is a typewriter, and many papers. At the back is a large window with French outside shutters, overlooking... more...

I Part of a densely grown garden; on the right benches; at the back a rail fence, separating the garden from a field. SCENE I Enter NÁDYA and LÍZA NÁDYA. No, LГѓ­za, don't say that: what comparison could there be between country and city life! LÍZA. What is there so specially fine about city life? NÁDYA. Well, everything is different there; the people themselves, and even the whole... more...

TRIFLES First performed by the Provincetown Players at the Wharf Theatre, Provincetown, Mass., August 8, 1916.   GEORGE HENDERSON (County Attorney) HENRY PETERS (Sheriff) LEWIS HALE, A neighboring farmer MRS PETERS MRS HALE   SCENE: The kitchen is the now abandoned farmhouse of JOHN WRIGHT, a gloomy kitchen, and left without having been put in order—unwashed pans under the sink, a loaf of bread... more...

CHAPTER I INTRODUCTORY There are no rules for writing a play. It is easy, indeed, to lay down negative recommendations--to instruct the beginner how not to do it. But most of these "don'ts" are rather obvious; and those which are not obvious are apt to be questionable. It is certain, for instance, that if you want your play to be acted, anywhere else than in China, you must not plan it in... more...