Fiction Books

CHAPTER I. AT ZATON'S 'Marked cards!' There were a score round us when the fool, little knowing the man with whom he had to deal, and as little how to lose like a gentleman, flung the words in my teeth. He thought, I'll be sworn, that I should storm and swear and ruffle it like any common cock of the hackle. But that was never Gil de Berault's way. For a few seconds after he... more...

It is a long path which stretches from forty-five to seventy. A path easy enough to make, for each day's journey through life is a part of it, but very difficult to retrace. When we turn at that advanced mile-stone and look back, things seem misty. For there is many a twist and angle in the highway of a life, and often the things which we would forget stand out the clearest. But I would not drive... more...

STORYOLOGY. I. What is a myth? According to Webster, it is 'a fabulous or imaginary statement or narrative conveying an important truth, generally of a moral or religious nature: an allegory, religious or historical, of spontaneous growth and popular origin, generally involving some supernatural or superhuman claim or power; a tale of some extraordinary personage or country that has been gradually... more...

CHAPTER I THE URSULINE LOSES A PUPIL "If the ship sails at dawn, then I must hasten to tell my mistress of the departure, and—of her father's letter." "I am loath to let yonder tide take her away so soon, Janet." "But my master's words are a positive command to leave Quebec at once," and Janet's eyes fell to the imperative line at the close of her letter which... more...

CHAPTER I. INTRODUCTORY.The design of the following essay is to consider, in a short and direct way, some of the limits that are set by sound reason to the practice of the various arts of accommodation, economy, management, conformity, or compromise. The right of thinking freely and acting independently, of using our minds without excessive awe of authority, and shaping our lives without unquestioning... more...

ACT I _The Wood-cutter's Cottage The stage represents the interior of a wood-cutter's cottage, simple and rustic in appearance, but in no way poverty-stricken. A recessed fireplace containing the dying embers of a wood-fire. Kitchen utensils, a cupboard, a bread-pan, a grandfather's clock, a spinning-wheel, a water-tap, etc. On a table, a lighted lamp. At the foot of the cupboard, on... more...

LETTER XIV. DUCLER—ST. GEORGES DE BOCHERVILLE—M. LANGLOIS. (Ducler, July, 1818.) You will look in vain for Ducler in the livre des postes; yet this little town, which is out of the common road of the traveller, becomes an interesting station to the antiquary, it being situated nearly mid-way between two of the most important remains of ancient ecclesiastical architecture in Normandy—the abbeys of... more...

INTRODUCTION "A work of art is first cloudily conceived in the mind; during the period of gestation it stands more clearly forward from these swaddling mists, puts on expressive lineaments, and becomes at length that most faultless, but also, alas! that incommunicable product of the human mind, a perfected design. On the approach to execution all is changed. The artist must now step down, don his... more...

INTRODUCTION. No answer is given in the Lysis to the question, 'What is Friendship?' any more than in the Charmides to the question, 'What is Temperance?' There are several resemblances in the two Dialogues: the same youthfulness and sense of beauty pervades both of them; they are alike rich in the description of Greek life. The question is again raised of the relation of knowledge... more...

CHAPTER I THE TALISMAN I believe it was the old Egyptians, a very wise people, probably indeed much wiser than we know, for in the leisure of their ample centuries they had time to think out things, who declared that each individual personality is made up of six or seven different elements, although the Bible only allows us three, namely, body, soul, and spirit. The body that the man or woman wore, if... more...