Fiction Books

INTRODUCTION AND ANALYSIS. The awe with which Plato regarded the character of 'the great' Parmenides has extended to the dialogue which he calls by his name. None of the writings of Plato have been more copiously illustrated, both in ancient and modern times, and in none of them have the interpreters been more at variance with one another. Nor is this surprising. For the Parmenides is more... more...

INTRODUCTION. POETIC JUSTICE OF THE EXPOSURE. That the inventors of an infamous fraud should deal to it its death-blow, is the poetic justice of fate. Over the creature, the creator has power of life and death. The creators of Spiritualism abjure its infamy. They decree its death. They condemn it to final destruction. They fasten upon those who continue to practice it the obloquy of history, and the... more...

John Stuart Mill defines Prohibition in this language: “Prohibition: A theory of ‘social rights’ which is nothing short of this—that it is the absolute right of every individual that every other individual shall act in every respect exactly as he ought; that whosoever fails thereof in the smallest particular violates my social rights and entitles me to demand from the legislature the removal of... more...

How Uncle Jeff came to “Roaring Water”—The situation of the farm—The inmates of the house—My sister Clarice and Black Rachel—Uncle Jeff—Bartle Won and Gideon Tuttle—Arrival of Lieutenant Broadstreet and his men—The troopers quartered in the hut—Our farm-labourers—Sudden appearance of the redskin Winnemak—His former visit to the farm—Clarice encounters him at the spring—Badly... more...

INTRODUCTORY. A shore of dull green and yellow sand dunes, beyond whose low tops a few sea-worn pines and birch trees show their heads, and at whose feet the gray sea hardly breaks in the heavy stillness that comes with the near thunder of high summer. The tide is full and nearing the turn, and the shore birds have gone elsewhere till their food is bared again at its falling. Only a few dotterels,... more...

A Tale of Wild Justice. I. Beside a high-road in the extreme West of England stands a house which you might pass many times without suspecting it of a dark history or, indeed, any history worth mention. The country itself, which here slopes westward from the Mining District to Mount's Bay, has little beauty and—unless you happen to have studied it—little interest. It is bare, and it comes near... more...

1. A Horror from the Past   drab gray sheet of cloud slipped stealthily from the moon's round face, like a shroud slipping from the face of one long dead, a coldly phosphorescent face from which the eyes had been plucked. Yellow radiance fell toward a calm, oily sea, seeking a narrow bank of fog lying low on the water, penetrating its somber mass like frozen yellow fingers. Vilma Bradley... more...

CHAPTER I The lights shining through the rain on the smooth street made of it a golden river. The shabby old gentleman navigated unsteadily until he came to a corner. A lamp-post offered safe harbor. He steered for it and took his bearings. On each side of the glimmering stream loomed dark houses. A shadowy blot on the triangle he knew to be a church. Beyond the church was the intersecting avenue. Down... more...

"Him?" the local postmaster of Calivada would say, in reply to your question about the quaint little old man who had just ambled away from the desk with a bundle of letters stuffed in his pocket. "Why, that's Lightnin' Bill Jones! We call him Lightnin' because he ain't. Nature didn't give no speed to Bill. No, sir, far as I know, Lightnin' 'ain't... more...

I.   The Beautiful is one of the immortal themes. It cannot die; it grows not old. On the same day with the sun was beauty born, and its life runs parallel with the path of that great beautifier. As a subject for exposition, it is at once easy and difficult: easy, from the affluence of its resources; difficult, from the exactions which its own spirit makes in the use of them. Beauty—what is it? To... more...