General Books

FAUST.     Night. In a narrow high-arched Gothic room,    FAUST sitting uneasy at his desk. Faust. Have now, alas! quite studied throughPhilosophy and Medicine,And Law, and ah! Theology, too,With hot desire the truth to win!And here, at last, I stand, poor fool!As wise as when I entered school;Am called Magister, Doctor, indeed,—Ten livelong years cease not to leadBackward and forward, to and... more...

ACT IV SCENE I.   Cyprus.  Before the Castle. [Enter Othello and Iago.]IAGOWill you think so? OTHELLO                              Think so, Iago? IAGO                                                         What,To kiss in private? OTHELLO                               An unauthoriz'd... more...

THE NOBLE LORD A secluded spot in the Maine woods in the neighborhood of a summer hotel. It is the middle of July. The trees are covered with foliage, a hot sun casts dancing shadows upon the mossy ground, and the air is full of the twittering of birds and the rustle of leaves. A winding path crosses from one side to the other, and near the center is a little clearing: the stump of a felled tree, with... more...

PROLOGUE.   The front of the stage represents a rustic spot, while at the back the sea can be seen in the distance.   SCENE I. Flora. appears in the centre of the stage, attended by Vertumnus, god of trees and fruit, and by Palemon, god of the streams. Each of these gods conducts a troup of divinities; one leads in his train Dryads and Sylvans, and the other River Gods and Naiads. Flora sings the... more...

Act I. Scene: Denham's Studio. Large highlight window in sloping roof at back. Under it, in back wall, door to landing. l of the door the corner is curtained off for model's dressing-room. r of door a large Spanish leather folding screen, which runs on castors, shuts off from the door the other corner, in which is a "throne," pushed up against the wall. Above the "throne"... more...

INTRODUCTION The three plays here presented were the outcome of a period when Björnson's views on many topics were undergoing a drastic revision and he was abandoning much of his previous orthodoxy in many directions. Two of them were written during, and one immediately after, a three years' absence from Norway—years spent almost entirely in southern Europe. [Note: Further details... more...

INTRODUCTION These five plays were written, in the order in which they appear now, during the years 1916 and 1917. They would hardly have been written had it not been for the war, although only one of them is concerned with that subject. To his other responsibilities the Kaiser now adds this volume. For these plays were not the work of a professional writer, but the recreation of a (temporary)... more...

ACT I. SCENE I.——ARGAN (sitting at a table, adding up his apothecary's bill with counters). Arg. Three and two make five, and five make ten, and ten make twenty. "Item, on the 24th, a small, insinuative clyster, preparative and gentle, to soften, moisten, and refresh the bowels of Mr. Argan." What I like about Mr. Fleurant, my apothecary, is that his bills are always civil. "The... more...

Sieur du Pleßis Marly. T seemes to mee strange, and a thing much to be marueiled, that the laborer to repose himselfe hasteneth as it were the course of the Sunne: that the Mariner rowes with all force to attayne the porte, and with a ioyfull crye salutes the descryed land: that the traueiler is neuer quiet nor content till he be at the ende of his voyage: and that wee in the meane while tied in this... more...

ACT I. Scene I. Witch bends over fire in middle of orchard, brewing a charm in her caldron. Ogre stalks in, grinning frightfully, swinging his bludgeon in triumph. Ogre Ha, old witch, it is done at last! I have broken the King's stronghold! I have stolen away his children twain From the clutch of their guardsmen bold. I have dragged them here to my castle tower. Prince Hero is strong and fair. But... more...