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THE FIRST ACT At Baden, near Vienna, in 1830. The drawing-room of the villa occupied by Maria Louisa. The walls are painted al fresco in bright colors. The frieze is decorated with a design of sphinxes. At the back, between two other windows, a window reaching to the ground and forming the entrance from the garden. Beyond, the balustrade of the terrace leading into the garden; a glimpse of lindens and...
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Edwin Bjorkman
This is one of the three plays which Strindberg placed at the head of his dramatic production during the middle ultra-naturalistic period, the other two being "The Father" and "Miss Julia." It is, in many ways, one of the strongest he ever produced. Its rarely excelled unity of construction, its tremendous dramatic tension, and its wonderful psychological analysis combine to make it a...
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PREFACE Believing plays to be solely for the stage, I have never before allowed any of mine to be printed until they had first faced from a stage the judgment of an audience, to see if they were entitled to be called plays at all. A successful production also has been sometimes a moral support to me when some critic has said, as for instance of "A Night at an Inn," that though it reads passably...
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Spokeshave
Dramatis Personae Caesar . . . . . . . Ruler of the State. Francos . . . . . . Governor General of a Province. Quezox . . . . . . Resident Delegate from the Province. Page. Scene: Throne Room at the Capitol Caesar: Most noble Francos, I greet thee heartily. A function truly noble falls within thy grasp; And thou wilt with it deal as only...
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Bernard Shaw
The forenoon of the first of April, 1911. General Mitchener is at his writing table in the War Office, opening letters. On his left is the fireplace, with a fire burning. On his right, against the opposite wall is a standing desk with an office stool. The door is in the wall behind him, half way between the table and the desk. The table is not quite in the middle of the room: it is nearer to the...
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Edith Oland
BIOGRAPHICAL NOTE "I tell you, you must have chaos in you, if you would givebirth to a dancing star."—Nietzsche. In Stockholm, living almost as a recluse, August Strindberg is dreaming life away. The dancing stars, sprung from the chaos of his being, shine with an ever-increasing refulgence from the high-arched dome of dramatic literature, but he no longer adds to their number. The...
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"The crescendo of quarrel is most skilfully and drolly arranged;— scene on classic lines boldly challenging and, what is more, maintaining comparison with Sheridan." Mr. A. B. Walkley—The London Times. "This new play, by Mr. Henry Arthur Jones, at The Haymarket, is surely as good a comedy as he has ever written. I should say, in evaluating Mr. Jones, that his greatest asset is his...
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Why the Chimes Rang. The scene is laid in a peasant's hut on the edge of a forest near a cathedral town. It is a dark low-raftered room lit only by the glowing wood fire in the great fireplace in the wall to the right, and by a faint moonlight that steals in through the little window high in the left wall. This window commands a view of the cathedral and of the road leading down into the town. The...
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Francis Beaumont
Actus PrimusScena PrimaEnter Juan de Castro, and Michael Perez. Michael PerezAre your Companies full, Colonel? Juan de CastroNo, not yet, Sir:Nor will not be this month yet, as I reckon;How rises your Command? Michael PerezWe pick up still, and as our monies hold out,We have men come, about that time I thinkWe shall be full too, many young Gallants go. Juan de CastroAnd unexperienced,The Wars are dainty...
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Charles Mair
SCENE FIRST.—THE FOREST NEAR THE PROPHET'S TOWN ON THE TIPPECANOE. Enter the PROPHET. PROPHET. Twelve moons have wasted, and no tidings still! Tecumseh must have perished! Joy has tearsAs well as grief, and mine will freely flow—Sembling our women's piteous privilege—Whilst dry ambition ambles to its ends.My schemes have swelled to greatness, and my nameHas flown so far upon the wings...
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