General Books

SCENE I. A spacious hall, supported on columns, with entrances on both sides;at the back of the stage a large folding-door leading to a chapel. DONNA ISABELLA in mourning; the ELDERS OF MESSINA. ISABELLA.Forth from my silent chamber's deep recesses,Gray Fathers of the State, unwillinglyI come; and, shrinking from your gaze, upliftThe veil that shades my widowed brows: the lightAnd glory of my days... more...

SCENE I. A high, rocky shore of the lake of Lucerne opposite Schwytz.The lake makes a bend into the land; a hut stands at a shortdistance from the shore; the fisher boy is rowing about in hisboat. Beyond the lake are seen the green meadows, the hamlets,and arms of Schwytz, lying in the clear sunshine. On the leftare observed the peaks of the Hacken, surrounded with clouds; tothe right, and in the... more...

INTRODUCTION Strindberg's great trilogy The Road to Damascus presents many mysteries to the uninitiated. Its peculiar changes of mood, its gallery of half unreal characters, its bizarre episodes combine to make it a bewilderingly rich but rather 'difficult' work. It cannot be recommended to the lover of light drama or the seeker of momentary distraction. The Road to Damascus does not... more...

ACT THE FIRST. SCENE I.BATTLEMENTS, WITH A SEA PROSPECT. Enter Zanga. Zan.Whether first nature, or long want of peace,Has wrought my mind to this, I cannot tell;But horrors now are not displeasing to me:[thunder.I like this rocking of the battlements.Rage on, ye winds; burst, clouds; and, waters, roar!You bear a just resemblance of my fortune,And suit the gloomy habit of my soul.Enter... more...

ACT I. Scene I. Witch bends over fire in middle of orchard, brewing a charm in her caldron. Ogre stalks in, grinning frightfully, swinging his bludgeon in triumph. Ogre Ha, old witch, it is done at last! I have broken the King's stronghold! I have stolen away his children twain From the clutch of their guardsmen bold. I have dragged them here to my castle tower. Prince Hero is strong and fair. But... more...

ACT I SCENE—"Johnny-The-Priest's" saloon near South Street, New York City. The stage is divided into two sections, showing a small back room on the right. On the left, forward, of the barroom, a large window looking out on the street. Beyond it, the main entrance—a double swinging door. Farther back, another window. The bar runs from left to right nearly the whole length of the rear... more...

Sieur du Pleßis Marly. T seemes to mee strange, and a thing much to be marueiled, that the laborer to repose himselfe hasteneth as it were the course of the Sunne: that the Mariner rowes with all force to attayne the porte, and with a ioyfull crye salutes the descryed land: that the traueiler is neuer quiet nor content till he be at the ende of his voyage: and that wee in the meane while tied in this... more...

ACT I. SCENE I.——ARGAN (sitting at a table, adding up his apothecary's bill with counters). Arg. Three and two make five, and five make ten, and ten make twenty. "Item, on the 24th, a small, insinuative clyster, preparative and gentle, to soften, moisten, and refresh the bowels of Mr. Argan." What I like about Mr. Fleurant, my apothecary, is that his bills are always civil. "The... more...

SCENE I SCENE—The firemen's forecastle of a transatlantic liner an hour after sailing from New York for the voyage across. Tiers of narrow, steel bunks, three deep, on all sides. An entrance in rear. Benches on the floor before the bunks. The room is crowded with men, shouting, cursing, laughing, singing—a confused, inchoate uproar swelling into a sort of unity, a meaning—the bewildered,... more...

INTRODUCTION These five plays were written, in the order in which they appear now, during the years 1916 and 1917. They would hardly have been written had it not been for the war, although only one of them is concerned with that subject. To his other responsibilities the Kaiser now adds this volume. For these plays were not the work of a professional writer, but the recreation of a (temporary)... more...