Drama Books

ACT I. Scene 1—Drawing room in 3. Trenchard Manor, C. D., backed by interior, discovering table with luncheon spread. Large French window, R. 3 E., through which a fine English park is seen. Open archway, L. 3 E. Set balcony behind. Table, R., books and papers on it. Work basket containing wools and embroidery frame. A fashionable arm chair and sofa, L. 2 E., small table near C. D. Stage handsomely... more...

ACT I.SCENE I.A Saloon in FIESCO'S House. The distant sound of dancing andmusic is heard. LEONORA, masked, and attended by ROSA and ARABELLA, enters hastily. LEONORA (tears off her mask). No more! Not another word! 'Tis as clear as day! (Throwing herself in a chair.) This quite overcomes me—— ARABELLA. My lady! LEONORA (rising.) What, before my eyes! with a notorious coquette! In presence... more...

THE CAST Princess Maria Theresa of Aragon. Warren Jarvis, of Kentucky. Nita, the Princess' Maid. House Detective, Manhattan Hotel. Rusty Snow, Warren Jarvis' Colored Servant. Detectives, from Police Headquarters. Hotel Porter. Steward, on S.S. Aquitania. Carlos, Duke d'Alva. Dolores, the Innkeeper's Daughter. Vardos, Messenger to the Missing Prince. Don Robledo, a Soldier of... more...

FIRST ACT SCENE The octagon room at Sir Robert Chiltern’s house in Grosvenor Square. [The room is brilliantly lighted and full of guests.  At the top of the staircase stands lady chiltern, a woman of grave Greek beauty, about twenty-seven years of age.  She receives the guests as they come up.  Over the well of the staircase hangs a great chandelier with wax lights, which illumine a large... more...

ACT I SCENE: The stage is divided by an old wall, covered with vines and flowers. At the right, a corner of BERGAMIN's private park; at the left, a corner of PASQUINOT's. On each side of the wall, and against it, is a rustic bench. As the curtain rises, PERCINET is seated on the top of the wall. On his knee is a book, out of which he is reading to SYLVETTE, who stands attentively listening on... more...

THE TRAGICAL HISTORY OF DOCTOR FAUSTUS FROM THE QUARTO OF 1616. Enter CHORUS. CHORUS. Not marching in the fields of Thrasymene,Where Mars did mate the warlike Carthagens;Nor sporting in the dalliance of love,In courts of kings where state is overturn'd;Nor in the pomp of proud audacious deeds,Intends our Muse to vaunt her heavenly verse:Only this, gentles,—we must now performThe form of... more...

INTRODUCTION BOTH volumes of the Scandinavian Classics selected to appear in 1916 are by natives of Iceland. They belong, however, to periods of time and to modes of writing remote from each other. Snorri Sturluson, the greatest of Icelandic historians, was born in 1179. His Prose Edda, the companion-piece of the present volume, is a Christian's account of Old Norse myths and poetic conceptions... more...

ACT I ANDREW GIBSON'S _office in his piano factory where he manufactures "The Gibson Upright." A very plain interior; pleasant to the eye, yet distinctly an office in a factory, and without luxuries; altogether utilitarian. Against the wall on our right is a roll-top desk, open, very neat, and in the centre of the writing pad a fresh rose stands in a glass of water. Near by is a long,... more...

Act I The scene is laid in the living-room of the small home of the Quixanos in the Richmond or non-Jewish borough of New York, about five o'clock of a February afternoon. At centre back is a double street-door giving on a columned veranda in the Colonial style. Nailed on the right-hand door-post gleams a Mezuzah, a tiny metal case, containing a Biblical passage. On the right of the door is a... more...

THE ALLEVIATIONS OF MONOGAMY. This piece is not an argument for or against polygamy. It is a clinical study of how the thing actually occurs among quite ordinary people, innocent of all unconventional views concerning it. The enormous majority of cases in real life are those of people in that position. Those who deliberately and conscientiously profess what are oddly called advanced views by those... more...