Drama Books

ON THE IDEA OF COMEDY AND OF THE USES OF THE COMIC SPIRIT Good Comedies are such rare productions, that notwithstanding the wealth of our literature in the Comic element, it would not occupy us long to run over the English list.  If they are brought to the test I shall propose, very reputable Comedies will be found unworthy of their station, like the ladies of Arthur’s Court when they were reduced... more...

SCENE 1 SCENE—A room with lighted fire, and a door into the open air, through which one sees, perhaps, the trees of a wood, and these trees should be painted in flat colour upon a gold or diapered sky. The walls are of one colour. The scene should have the effect of missal Painting. MARY, a woman of forty years or so, is grinding a quern. MARY. What can have made the grey hen flutter so? (TEIG, a boy... more...

ACT I. Scene: Within the tent of Menones, on the plain before Nineveh. Left, centre, entrance to tent from the plain. Curtains rear, forming partition with exits right and left of centre. The same at right, with one exit, centre. Couch rear, between exits. From a tent-pole near exit, right centre, hang helmet and a suit of chain armor. Sola parts curtains rear, left, and looks out, showing effort to... more...

INTRODUCTION.* The anecdotic history of John Gabriel Borkman is even scantier than that of Little Eyolf. It is true that two mentions of it occur in Ibsen's letters, but they throw no light whatever upon its spiritual antecedents. Writing to George Brandes from Christiania, on April 24, 1896, Ibsen says: "In your last letter you make the suggestion that I should visit London. If I knew enough... more...

Actus primus. Scena prima. Enter Uncle and Merchant. Merc. When saw you Valentine? Uncle. Not since the Horse-race, he's taken up with those that woo the Widow. Mer. How can he live by snatches from such people? he bore a worthy mind. Uncle. Alas, he's sunk, his means are gone, he wants, and which is worse,Takes a delight in doing so. Mer. That's strange. Unc. Runs Lunatick, if you but... more...

ROYALL TYLER (1757-1826) William Dunlap is considered the father of the American Theatre, and anyone who reads his history of the American Theatre will see how firmly founded are his claims to this title. But the first American play to be written by a native, and to gain the distinction of anything like a "run" is "The Contrast," by Royall Tyler. Unfortunately for us, the three hundred... more...

SCENE I.—The gate of the castle. MAIDSERVANTS (within). Open the gate! Open the gate! PORTER (within). Who is there? Why do you come and wake me up? Go out by the little gates; there are enough of them!… A MAIDSERVANT (within). We have come to wash the threshold, the gate, and the steps; open, then! open! ANOTHER MAIDSERVANT (within). There are going to be great happenings! THIRD MAIDSERVANT... more...

ACT I The time is morning, and the scene a level lawn, beyond whichthe river is running amongst fields. A huge old beech treeovershadows everything, in the darkness of whose hollow manythings are hidden. A rustic seat encircles it. A low wallclothed in creepers, with two openings, divides this lawn fromthe flowery approaches to the house. Close to the wall there isa swing. The sky is clear and sunny.... more...

For one may apprehend the whole truth to be somewhat thus.  Satiric comedy, or comedy of manners, is the art of making ludicrous in dramatic form some phase of life.  The writers of our old comedy thought that certain vices—gambling, adultery, and the like—formed a phase of life which for divers reasons, essential and accidental, lent itself best to their purpose.  They may, or may not, have... more...

HOW TO BE A GOOD RADIO ACTOR The play in this book has actually been produced on the radio. Possibly you have listened to this one when you tuned in at home. The persons whose voices you heard as you listened, looked just as they did when they left their homes to go to the studio, although they were taking the parts of men and women who lived long ago and who wore costumes very different from the ones... more...