Drama Books

PEOPLE IN THE PLAY ALICE GARDNER: Daughter of James K. Gardner, President of the L.I. & W. Railroad "UNCLE" JOSEPH HATCH: Alias "Gentleman Joe" "BRICK" MEAKIN: Alias "Reddy, the Kid" HARRY HAYES: Alias "Grand Stand" Harry CAPTAIN LUCAS: Chief of Police Policemen, Brakemen, Engineers Scene—The dining room in the country house of James K. Gardner on Long... more...

The greatest difficulty to be met in the writing of an Indian play is the extensive misinformation about Indians. Any real aboriginal of my acquaintance resembles his prototype in the public mind about as much as he does the high-nosed, wooden sign of a tobacco store, the fact being that, among the fifty-eight linguistic groups of American aboriginals, customs, traits, and beliefs differ as greatly as... more...

THE MAN IN THE STALLS The sitting-room of a little flat in Shaftesbury Avenue. At back is a door leading to the dining-room—it is open, and the dinner-table is in full view of the audience. To the extreme right is another door, leading to the hall. The place is pleasantly and prettily, though quite inexpensively, furnished. To the left, at angles with the distempered wall, is a baby-grand piano; the... more...

SCENE FIRST.—THE FOREST NEAR THE PROPHET'S TOWN ON THE TIPPECANOE. Enter the PROPHET. PROPHET. Twelve moons have wasted, and no tidings still! Tecumseh must have perished! Joy has tearsAs well as grief, and mine will freely flow—Sembling our women's piteous privilege—Whilst dry ambition ambles to its ends.My schemes have swelled to greatness, and my nameHas flown so far upon the wings... more...

It may surprise some people to learn that in 1915 this little play was a recruiting poster in disguise. The British officer seldom likes Irish soldiers; but he always tries to have a certain proportion of them in his battalion, because, partly from a want of common sense which leads them to value their lives less than Englishmen do [lives are really less worth living in a poor country], and partly... more...

SCENE: A large room with a door at the back and another at the side opening to an inner room. A desk and a chair in the middle. An hour-glass on a bracket near the door. A creepy stool near it. Some benches. The WISE MAN sitting at his desk. WISE MAN [turning over the pages of a book]. Where is that passage I am to explain to my pupils to-day? Here it is, and the book says that it was written by a... more...

INTRODUCTION* Koerlighedens Komedie was published at Christiania in 1862. The polite world—so far as such a thing existed at the time in the Northern capital—received it with an outburst of indignation now entirely easy to understand. It has indeed faults enough. The character-drawing is often crude, the action, though full of effective by-play, extremely slight, and the sensational climax has... more...

ACT I SCENE I   MADAME PERNELLE and FLIPOTTE, her servant; ELMIRE, MARIANE, CLEANTE,  DAMIS, DORINE   MADAME PERNELLE  Come, come, Flipotte, and let me get away.   ELMIRE  You hurry so, I hardly can attend you.   MADAME PERNELLE  Then don't, my daughter-in law. Stay where you are.  I can dispense with your polite attentions.   ELMIRE  We're only paying what is due you,... more...

Actus PrimusScena PrimaEnter Juan de Castro, and Michael Perez. Michael PerezAre your Companies full, Colonel? Juan de CastroNo, not yet, Sir:Nor will not be this month yet, as I reckon;How rises your Command? Michael PerezWe pick up still, and as our monies hold out,We have men come, about that time I thinkWe shall be full too, many young Gallants go. Juan de CastroAnd unexperienced,The Wars are dainty... more...

This comedy excites that sensation, which is the best security for the success of a drama—curiosity. After the two first acts are over, and pleasantly over, with the excellent drawn characters of Ashfield and his wife, and the very just satire which arises from Sir Abel's propensity to modern improvements—the acts that follow excite deep interest and ardent expectation; both of which are so... more...