Drama Books
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Oscar Wilde
ACT I SCENE I The palace of the king of burmah. The scene is laid in the Hall of a Hundred Doors. In the distance can be seen the moat, the waiting elephants, and the peacocks promenading proudly in the blinding sunshine of late afternoon. The scene discovers king meng beng seated on a raised cushion sewn with rubies, under a canopy supported by four attendants, motionless as bronze figures. By...
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John Galsworthy
SCENE I Afternoon, on the departure platform of an Austrian railwaystation. At several little tables outside the buffet personsare taking refreshment, served by a pale young waiter. On aseat against the wall of the buffet a woman of lowly station issitting beside two large bundles, on one of which she has placedher baby, swathed in a black shawl. WAITER. [Approaching a table whereat sit an English...
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Bernard Shaw
ANNAJANSKA is frankly a bravura piece. The modern variety theatre demands for its "turns" little plays called sketches, to last twenty minutes or so, and to enable some favorite performer to make a brief but dazzling appearance on some barely passable dramatic pretext. Miss Lillah McCarthy and I, as author and actress, have helped to make one another famous on many serious occasions, from Man...
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Clyde Fitch
ACT I A charming room in the Tillmans' house. The walls are white woodwork, framing in old tapestries of deep foliage design, with here and there a flaming flamingo; white furniture with old, green brocade cushions. The room is in the purest Louis XVI. The noon sunlight streams through a window on the left. On the opposite side is a door to the hall. At back double doors open into a corridor which...
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Bernard Shaw
INTRODUCTION To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw. He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox)....
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THE LADY FROM THE SEA ACT I (SCENE.—DOCTOR WANGEL'S house, with a large verandah garden in front of and around the house. Under the verandah a flagstaff. In the garden an arbour, with table and chairs. Hedge, with small gate at the back. Beyond, a road along the seashore. An avenue of trees along the road. Between the trees are seen the fjord, high mountain ranges and peaks. A warm and...
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Alfred Noyes
RADA SCENE—_A guest-chamber, the typical living-room of a prosperous village doctor in the Balkans. On the left, a small window and an entrance door. On the right, a door leading into a bedroom. At the back, an open fire of logs is burning brightly. Over the fireplace is the eikonostasis, with three richly coloured and gilded eikons, the central one of the Madonna. The light, which is never allowed...
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INTRODUCTION Note. In citations from Shakespeare's plays and nondramatic poems the numbering has reference to the Globe edition, except in the case of this play, where the reference is to this edition. I. SOURCES No event in the history of the world has made a more profound impression upon the popular imagination than the assassination of Julius Cæsar. Apart from its overwhelming interest as a...
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Dion Boucicault
EDITORIAL INTRODUCTION. The story of "Venice Preserved" is partly founded upon St. Real's History of the Conspiracy of the Spaniards against the Republic of Venice, in 1618. Voltaire compares the author of this History to Sallust; and pronounces it superior to the English tragedy—an assertion, which, like many others from the same source, was the convenient sentence of an adroit but...
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SCENE I. THE DIET AT CRACOW. On the rising of the curtain the Polish Diet is discovered, seatedin the great senate hall. On a raised platform, elevated by threesteps, and surmounted by a canopy, is the imperial throne, theescutcheons of Poland and Lithuania suspended on each side. The KINGseated upon the throne; on his right and left hand his ten royalofficers standing on the platform. Below the...
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