Drama Books

INTRODUCTION The three plays here presented were the outcome of a period when Björnson's views on many topics were undergoing a drastic revision and he was abandoning much of his previous orthodoxy in many directions. Two of them were written during, and one immediately after, a three years' absence from Norway—years spent almost entirely in southern Europe. [Note: Further details... more...

INTRODUCTION These five plays were written, in the order in which they appear now, during the years 1916 and 1917. They would hardly have been written had it not been for the war, although only one of them is concerned with that subject. To his other responsibilities the Kaiser now adds this volume. For these plays were not the work of a professional writer, but the recreation of a (temporary)... more...

INTRODUCTION The Inspector-General is a national institution. To place a purely literary valuation upon it and call it the greatest of Russian comedies would not convey the significance of its position either in Russian literature or in Russian life itself. There is no other single work in the modern literature of any language that carries with it the wealth of associations which the Inspector-General... more...

ACT I. SCENE I.——ARGAN (sitting at a table, adding up his apothecary's bill with counters). Arg. Three and two make five, and five make ten, and ten make twenty. "Item, on the 24th, a small, insinuative clyster, preparative and gentle, to soften, moisten, and refresh the bowels of Mr. Argan." What I like about Mr. Fleurant, my apothecary, is that his bills are always civil. "The... more...

ACT I SCENE—"Johnny-The-Priest's" saloon near South Street, New York City. The stage is divided into two sections, showing a small back room on the right. On the left, forward, of the barroom, a large window looking out on the street. Beyond it, the main entrance—a double swinging door. Farther back, another window. The bar runs from left to right nearly the whole length of the rear... more...

SCENE— A shabby front room in a shotgun house. A door covered by dingy portieres upstage C. Small panel window in side Wall L. Plain centre table with chairs drawn up about it. Gaudy calendars on wall. Battered piano against wall R. Kerosene lamp with reflector against wall on either side of room. At rise of curtain NUNKIE is at piano playing…. Others at table with small stacks of chips before each... more...

INTRODUCTION Strindberg's great trilogy The Road to Damascus presents many mysteries to the uninitiated. Its peculiar changes of mood, its gallery of half unreal characters, its bizarre episodes combine to make it a bewilderingly rich but rather 'difficult' work. It cannot be recommended to the lover of light drama or the seeker of momentary distraction. The Road to Damascus does not... more...

the battle of the Sea of Japan another turning-point in the brief course of recorded human history has been reached. Whatever the outcome of the negotiations for peace, one thing is sure: for better, for worse, and whether we will or no, the West must know the East, and the East must know the West. With that knowledge will inevitably come an interchange of potent influences, of influences that will... more...

TO THE RIGHT HONOURABLE CHARLES, LORD CLIFFORD OF LANESBOROUGH, etc. My Lord,—It is with a great deal of pleasure that I lay hold on this first occasion which the accidents of my life have given me of writing to your lordship: for since at the same time I write to all the world, it will be a means of publishing (what I would have everybody know) the respect and duty which I owe and pay to you.  I... more...

PREFACE A nice phrase: "A People's Theatre." But what about it? There's no such thing in existence as a People's Theatre: or even on the way to existence, as far as we can tell. The name is chosen, the baby isn't even begotten: nay, the would-be parents aren't married, nor yet courting. A People's Theatre. Note the indefinite article. It isn't The... more...