Drama Books

Excuse me, sirs, I pray—I can't yet speak—I'm crying now—and have been all the week."'Tis not alone this mourning suit," good masters:"I've that within"—for which there are no plasters!Pray, would you know the reason why I'm crying?The Comic Muse, long sick, is now a-dying!And if she goes, my tears will never stop;For as a player, I can't squeeze... more...

EDWARD THE SECOND By Christopher Marlowe DRAMATIS PERSONAE KING EDWARD THE SECOND.PRINCE EDWARD, his son, afterwards KING EDWARD THE THIRD.KENT, brother to KING EDWARD THE SECOND.GAVESTON.ARCHBISHOP OF CANTERBURY.BISHOP OF COVENTRY.BISHOP OF WINCHESTER.WARWICK.LANCASTER.PEMBROKE.ARUNDER.LEICESTER.BERKELEY.MORTIMER the elder. MORTIMER the younger, his nephew. SPENSER the elder. SPENSER the younger, his... more...

ACT I. — THE SECRET. Scene:—The exterior of a decayed, weatherbeaten, Elizabethan 'mansion, overgrown with ivy and autumn-tinted creeper. On the R., the lower part of a tower, square or circular. Facing the audience, about five feet from the ground, a door opening into the tower, the entrance proper to the house. This door leads out on to a stone terrace, which is run off the stage R., and... more...

ACT I. [Enter William the Conqueror; Marques Lubeck, with a picture;Mountney; Manville; Valingford; and Duke Dirot.] MARQUES.What means fair Britain's mighty ConquerorSo suddenly to cast away his staff,And all in passion to forsake the tylt? D. DIROT.My Lord, this triumph we solemnise hereIs of mere love to your increasing joys,Only expecting cheerful looks for all;What sudden pangs than moves... more...

THE GHOST OF JERRY BUNDLER. Scene.—The Commercial Room in an old-fashioned hotel in a small country town. An air of old-fashioned comfort is in evidence everywhere. Old sporting prints on the walls. On the table up C. are half a dozen candlesticks, old-fashioned shape with snuffer attached. Two pairs of carpet slippers are set up within fender. Red curtains to window recess. Shutters or blinds to... more...

A PROLOGUE TO BE SPOKEN BY BETSY Our scene is the wind-swept coast of Devon. By day there is a wide stretch of ocean far below, and the abutments of our stage arise from a dizzy cliff. The time is remote, and ships of forgotten build stand out from Bristol in full sail for the mines of India. But we must be loose and free of precise date lest our plot be shamed by broken fact. A thousand years are but... more...

The Drone A COMEDY IN THREE ACTS ACT I. Scene: The farm kitchen of John Murray. It is large and spacious, with a wide open fire-place to the right. At the back is one door leading to the parlour and other rooms in the house, also a large window overlooking the yard outside. To the left of this window is the door leading into the yard, and near the door an old-fashioned grandfather's clock.... more...

INTRODUCTORY NOTE Gotthold Ephraim Lessing was born at Kamenz, Germany, January 22, 1729, the son of a Lutheran minister. He was educated at Meissen and Leipzic, and began writing for the stage before he was twenty. In 1748 he went to Berlin, where he met Voltaire and for a time was powerfully influenced by him. The most important product of this period was his tragedy of "Miss Sara Samson," a... more...

SCENE I It is six o'clock of a November evening, in KEITH DARRANT'S study. A large, dark-curtained room where the light from a single reading-lamp falling on Turkey carpet, on books beside a large armchair, on the deep blue-and-gold coffee service, makes a sort of oasis before a log fire. In red Turkish slippers and an old brown velvet coat, KEITH DARRANT sits asleep. He has a dark,... more...

ACT I. Various groups of Nobles, Citizens, Merchants, Foreigners, Water-Carriers, Flower Girls, &c., pass and repass. Procession of the Doge, in state, across the square. ANTONIO, SALARINO, and SALANIO come forward. Ant. In sooth, I know not why I am so sad;It wearies me; you say, it wearies you;But how I caught it, found it, or came by it,What stuff 'tis made of, whereof it is born,I am to... more...