Drama Books

ACT 1 (SCENE—The sitting-room at Rosmersholm; a spacious room, comfortably furnished in old-fashioned style. In the foreground, against the right-hand wall, is a stove decorated with sprigs of fresh birch and wild flowers. Farther back, a door. In the back wall folding doors leading into the entrance hall. In the left-hand wall a window, in front of which is a stand filled with flowers and plants.... more...

INTRODUCTION TO SARDANAPALUS Byron's passion or infatuation for the regular drama lasted a little over a year. Marino Faliero, Sardanapalus, and the Two Foscari, were the fruits of his "self-denying ordinance to dramatize, like the Greeks ... striking passages of history" (letter to Murray, July 14, 1821, Letters, 1901, v. 323). The mood was destined to pass, but for a while the neophyte... more...

ACT I SCENE I The palace of the king of burmah.  The scene is laid in the Hall of a Hundred Doors.  In the distance can be seen the moat, the waiting elephants, and the peacocks promenading proudly in the blinding sunshine of late afternoon.  The scene discovers king meng beng seated on a raised cushion sewn with rubies, under a canopy supported by four attendants, motionless as bronze figures.  By... more...

ACT I SCENE 1 A Street in Burgos; the Cathedral in the distance. [Enter Two Courtiers.] I:1:1 1ST COURT.The Prince of Hungary dismissed? I:1:2 2ND COURT.IndeedSo runs the rumour. I:1:3 1ST COURT.Why the spousal noteStill floats upon the air! I:1:4 2ND COURT.Myself this mornBeheld the Infanta's entrance, as she threw,Proud as some hitless barb, her haughty glanceOn our assembled chiefs. I:1:5 1ST... more...

INTRODUCTION. HE author and early date of the present Comedy are ascertained by a quotation in Sir Thomas Wilson’s Rule of Reason of Roister Doister’s letter to Dame Custance. The first edition of the Rule of Reason, 1550-1, is a very scarce work; of which I have been unable to see a copy. The second edition, 1552, 8vo, ‘newely corrected by Thomas Wilson,’ has not the quotation: which... more...

ACT I Great George Street, Westminster, is the address of Doyle and Broadbent, civil engineers. On the threshold one reads that the firm consists of Mr Lawrence Doyle and Mr Thomas Broadbent, and that their rooms are on the first floor. Most of their rooms are private; for the partners, being bachelors and bosom friends, live there; and the door marked Private, next the clerks' office, is their... more...

TO THE RIGHT HONOURABLE CHARLES, LORD CLIFFORD OF LANESBOROUGH, etc. My Lord,—It is with a great deal of pleasure that I lay hold on this first occasion which the accidents of my life have given me of writing to your lordship: for since at the same time I write to all the world, it will be a means of publishing (what I would have everybody know) the respect and duty which I owe and pay to you.  I... more...

PREFACE A preface to a play seems generally to be considered as a kind of closet-prologue, in which—if his piece has been successful—the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in representation (whose judgment in the theatre at least is decisive,) its degree of... more...

THE ALLEVIATIONS OF MONOGAMY. This piece is not an argument for or against polygamy. It is a clinical study of how the thing actually occurs among quite ordinary people, innocent of all unconventional views concerning it. The enormous majority of cases in real life are those of people in that position. Those who deliberately and conscientiously profess what are oddly called advanced views by those... more...

ACT I SCENE I The curtain rises on the BARTHWICK'S dining-room, large,modern, and well furnished; the window curtains drawn.Electric light is burning. On the large round dining-table isset out a tray with whisky, a syphon, and a silvercigarette-box. It is past midnight. A fumbling is heard outside the door. It is opened suddenly;JACK BARTHWICK seems to fall into the room. He stands holdingby the... more...