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by: Anonymous
PREFACE I began these memoirs when about twenty-five years old, having from youth kept a diary of some sort, which perhaps from habit made me think of recording my inner and secret life. When I began it, I had scarcely read a baudy book, none of which excepting "Fanny Hill" appeared to me to be truthful, that did, and it does so still; the others telling of recherche eroticisms, or of... more...

I — THE LIFE OF HUXLEY Of Huxley's life and of the forces which moulded his thought, the Autobiography gives some account; but many facts which are significant are slighted, and necessarily the later events of his life are omitted. To supplement the story as given by him is the purpose of this sketch. The facts for this account are gathered entirely from the Life and Letters of Thomas Henry... more...

CHAPTER I—INTRODUCTION AND FIRST IMPRESSIONS My little effort to make Thoreau better known in England had one result that I am pleased to think of.  It brought me into personal association with R. L. Stevenson, who had written and published in The Cornhill Magazine an essay on Thoreau, in whom he had for some time taken an interest.  He found in Thoreau not only a rare character for originality,... more...

In the arena of spirituality, there are unique and remarkable spiritual people who have achieved the highest levels of spiritual development. Some remain in seclusion, while others become spiritual teachers who support the spiritual transformation of humanity. But to meet a Gnani Purush (embodiment of Self knowledge), and to access their spiritual power to achieve spiritual enlightenment, is extremely... more...

ABOUT THIS BOOK What would we do without our picture-books, I wonder? Before we knew how to read, before even we could speak, we had learned to love them. We shouted with pleasure when we turned the pages and saw the spotted cow standing in the daisy-sprinkled meadow, the foolish-looking old sheep with her gambolling lambs, the wise dog with his friendly eyes. They were all real friends to us. Then a... more...

ROBERT LOUIS STEVENSON When a popular writer dies, the question it has become the fashion with a nervous generation to ask is the question, ‘Will he live?’  There was no idler question, none more hopelessly impossible and unprofitable to answer.  It is one of the many vanities of criticism to promise immortality to the authors that it praises, to patronise a writer with the assurance that our... more...

DEAN SWIFT AND THE TWO ESTHERS The story of Jonathan Swift and of the two women who gave their lives for love of him is familiar to every student of English literature. Swift himself, both in letters and in politics, stands out a conspicuous figure in the reigns of King William III and Queen Anne. By writing Gulliver's Travels he made himself immortal. The external facts of his singular relations... more...

THE FAMILY OF JOHN CLEMENS A long time ago, back in the early years of another century, a family named Clemens moved from eastern Tennessee to eastern Missouri—from a small, unheard-of place called Pall Mall, on Wolf River, to an equally small and unknown place called Florida, on a tiny river named the Salt. That was a far journey, in those days, for railway trains in 1835 had not reached the South... more...

THE BRAVE ACCUSER OF BENEDICT ARNOLD. John Brown, of Pittsfield, Mass., now almost forgotten, was a patriot in our Revolution of 1775 whose career has been described more than once by men in New York and in Berkshire County, but, as it is now time to give more impartial views of the controversy, perhaps another sketch of the life of this leader may encourage others to search for clearer views of the... more...

PREFACE. This volume of memoirs has a double character—historical and intimate. The life of a period, the XIX Century, is bound up in the life of a man, VICTOR HUGO. As we follow the events set forth we get the impression they made upon the mind of the extraordinary man who recounts them; and of all the personages he brings before us he himself is assuredly not the least interesting. In portraits... more...

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