Literary Books

CHAPTER I. Introductory Remarks—Birth of Jane Austen—Her Family Connections—Their Influence on her Writings. More than half a century has passed away since I, the youngest of the mourners, attended the funeral of my dear aunt Jane in Winchester Cathedral; and now, in my old age, I am asked whether my memory will serve to rescue from oblivion any events of her life or any traits of her character... more...

PREFACE This work is based on the article on Shakespeare which I contributed last year to the fifty-first volume of the ‘Dictionary of National Biography.’  But the changes and additions which the article has undergone during my revision of it for separate publication are so numerous as to give the book a title to be regarded as an independent venture.  In its general aims, however, the present... more...

CHAPTER I. INTRODUCTORY. Near seven years ago, a short while before his death in 1844, John Sterling committed the care of his literary Character and printed Writings to two friends, Archdeacon Hare and myself. His estimate of the bequest was far from overweening; to few men could the small sum-total of his activities in this world seem more inconsiderable than, in those last solemn days, it did to... more...

I here present you, courteous reader, with the record of a remarkable period in my life: according to my application of it, I trust that it will prove not merely an interesting record, but in a considerable degree useful and instructive.  In that hope it is that I have drawn it up; and that must be my apology for breaking through that delicate and honourable reserve which, for the most part, restrains... more...

CHAPTER I EARLY DAYS—MEETS JOHNSON. 1740-1763'Behind yon hills, where Lugar flows.'—Burns. 'Every Scotchman,' says Sir Walter Scott, 'has a pedigree. It is a national prerogative, as inalienable as his pride and his poverty. My birth was neither distinguished nor sordid.' What, however, was but a foible with Scott was a passion in James Boswell, who has on numerous... more...

INTRODUCTION Inheritance of friendships—Gracious giants—My own goodfortune—My father the central figure—What did his gift tome cost him?—A revelation in Colorado—Privileges makedifficulties—Lights and shadows of memory—An informalnarrative—Contrast between my father's life and mine. The best use we can make of good fortune is to share it with our fellows. Those to whom good... more...

MY REMINISCENCES I know not who paints the pictures on memory's canvas; but whoever he may be, what he is painting are pictures; by which I mean that he is not there with his brush simply to make a faithful copy of all that is happening. He takes in and leaves out according to his taste. He makes many a big thing small and small thing big. He has no compunction in putting into the background that... more...

THE PICTURE H. Oh! is it you? I had something to shew you—I have got a picture here. Do you know any one it's like? S. No, Sir. H. Don't you think it like yourself? S. No: it's much handsomer than I can pretend to be. H. That's because you don't see yourself with the same eyes that others do. I don't think it handsomer, and the expression is hardly so fine as yours... more...

PREFATORY NOTE. The life and writings of Pope have been discussed in a literature more voluminous than that which exists in the case of almost any other English man of letters. No biographer, however, has produced a definitive or exhaustive work. It seems therefore desirable to indicate the main authorities upon which such a biographer would have to rely, and which have been consulted for the purpose... more...

CHAPTER I INTRODUCTION This book is intended to deal with substance rather than with form. But, in estimating the work of a teacher who taught exclusively with the pen, it would be perverse to disregard entirely the qualities of the writing which so penetrated and coloured the intellectual life of the Victorian age. Some cursory estimate of Arnold's powers in prose and verse must therefore be... more...