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PREFACE. In this, the third series of Breakfast-Table conversations, a slight dramatic background shows off a few talkers and writers, aided by certain silent supernumeraries. The machinery is much like that of the two preceding series. Some of the characters must seem like old acquaintances to those who have read the former papers. As I read these over for the first time for a number of years, I... more...

THE RUINES OF TIME. DEDICATED TO THE RIGHT NOBLE AND BEAUTIFULL LADIE, THE LA: MARIE, COUNTESSE OF PEMEBROOKE. Most honourable and bountifull Ladie, there bee long sithens deepe sowed in my brest the seede of most entire love and humble affection unto that most brave knight, your noble brother deceased; which, taking roote, began in his life time somewhat to bud forth, and to shew themselves to him, as... more...

APPREHENSION AND all hours long, the town  Roars like a beast in a caveThat is wounded thereAnd like to drown;  While days rush, wave after waveOn its lair. An invisible woe unseals  The flood, so it passes beyondAll bounds: the great old cityRecumbent roars as it feels  The foamy paw of the pondReach from immensity. But all that it can do  Now, as the tide rises,Is to listen and hear the... more...

THE OLD HANGING FORK.I.O don't you remember those days so divine,Around which the heart-strings all tenderly twine,When with sapling pole and a painted corkWe fished up and down the old Hanging Fork—From the railroad bridge, with its single span,Clear down to the mill at Dawson's old dam—From early morn till the shades of night,And it made no difference if fishdidn'tbite?II.What... more...

PREFACE Utterances of poets regarding their character and mission have perhaps received less attention than they deserve. The tacit assumption of the majority of critics seems to be that the poet, like the criminal, is the last man who should pass judgment upon his own case. Yet it is by no means certain that this view is correct. Introspective analysis on the part of the poet might reasonably be... more...

by: Aristotle
In the tenth book of the Republic, when Plato has completed his final burning denunciation of Poetry, the false Siren, the imitator of things which themselves are shadows, the ally of all that is low and weak in the soul against that which is high and strong, who makes us feed the things we ought to starve and serve the things we ought to rule, he ends with a touch of compunction: 'We will give... more...

FOREWORD Songs from a far-away world; a cry from another sphere. To those of us who once experienced the still and pitiless cold, a cry terribly suggestive of the horror-charged gloom, of the icy silence as unbroken as that of unfathomable deeps, of the stern and uncompromising individuality of a disturbed and vengeful North. Yet one is also reminded that, even in the Klondyke, in due season the... more...

I A prince I was, blue-eyed, and fair in face,Of temper amorous, as the first of May,With lengths of yellow ringlet, like a girl,For on my cradle shone the Northern star. There lived an ancient legend in our house.Some sorcerer, whom a far-off grandsire burntBecause he cast no shadow, had foretold,Dying, that none of all our blood should knowThe shadow from the substance, and that oneShould come to... more...

THE OLD ARM-CHAIR. I love it, I love it; and who shall dare To chide me for loving that old arm-chair? I've cherished it long as a sainted prize; I've bedewed it with tears and embalmed it with sighs 'Tis bound by a thousand bands to my heart; Not a tie will break, not a link will start. Would ye learn the spell?—a mother sat there: And a sacred thing is that old arm-chair. In... more...

I. STEADFAST as any soldier of the line He served his England, with the imminent death Poised at his heart. Nor could the world divine The constant peril of each burdened breath. England, and the honour of England, he still served Walking the strict path, with the old high pride Of those invincible knights who never swerved One hair's breadth from the way until they died. Quietness he loved, and... more...