General Books

Canto I.Right beautiful is Torksey's hall,Adown by meadowed Trent;Right beautiful that mouldering wall,And remnant of a turret tall,Shorn of its battlement. For, while the children of the SpringBlush into life, and die;And Summer's joy-birds take light wingWhen Autumn mists are nigh;And soon the year—a winterling—With its fall'n leaves doth lie;That ruin gray—Mirror'd,... more...

TO MY PEN I Thou feeble implement of mind,Wherewith she strove to scrawl hername;But, like a mitcher, left behindNo signature, no stroke, no claim,No hint that she hath pined— Shall ever come a stronger time,When thou shalt be a tool of skill,And steadfast purpose, to fulfilA higher task than rhyme? II Thou puny instrument of soul,Wherewith she labours to impartHer efforts at some arduous goal;But... more...

THE THREE BEARS. THERE were once three bears, who lived in a wood,Their porridge was thick, and their chairs and beds good.The biggest bear, Bruin, was surly and rough;His wife, Mrs. Bruin, was called Mammy Muff.Their son, Tiny-cub, was like Dame Goose’s lad;He was not very good, nor yet very bad.Now Bruin, the biggest—the surly old bear—Had a great granite bowl, and a cast-iron chair.Mammy Muffs... more...

INTRODUCTION I. THE AGE WHICH PRODUCED THE FAERIE QUEENE The study of the Faerie Queene should be preceded by a review of the great age in which it was written. An intimate relation exists between the history of the English nation and the works of English authors. This close connection between purely external events and literary masterpieces is especially marked in a study of the Elizabethan Age. To... more...

OUR generation already is overpast,And thy lov'd legacy, Gerard, hath lainCoy in my home; as once thy heart was fainOf shelter, when God's terror held thee fastIn life's wild wood at Beauty and Sorrow aghast;Thy sainted sense tramme'd in ghostly pain,Thy rare ill-broker'd talent in disdain:Yet love of Christ will win man's love at last.  Hell wars without; but, dear, the... more...

Hannibal. Could a Numidian horseman ride no faster? Marcellus! oh! Marcellus! He moves not—he is dead. Did he not stir his fingers? Stand wide, soldiers—wide, forty paces; give him air; bring water; halt! Gather those broad leaves, and all the rest, growing under the brushwood; unbrace his armour. Loose the helmet first—his breast rises. I fancied his eyes were fixed on me—they have rolled back... more...

'Twas on a frosty Christmas Eve When Peggy Deutchland woke From her wooden sleep On the counter steep And to her neighbour spoke, "Get up! get up, dear Sarah Jane! Now strikes the midnight hour, When dolls and toys Taste human joys, And revel in their power.     I long to try my limbs a bit, And you must walk with me; Our joints are good Though made of wood, And I pine for liberty. For... more...

THE KING OF THE CASTLE. A S the lion is called the king of beasts, so the eagle is called the king of birds; but except that it is bigger, stronger, and swifter than other birds, there does not seem much reason for the name. It is a mistake to attribute noble or mean qualities to animals or birds, or to think they can do good or bad actions, when they can only do what God has created them to do, and as... more...

CANTO I His glory, by whose might all things are mov'd,Pierces the universe, and in one partSheds more resplendence, elsewhere less.  In heav'n,That largeliest of his light partakes, was I,Witness of things, which to relate againSurpasseth power of him who comes from thence;For that, so near approaching its desireOur intellect is to such depth absorb'd,That memory cannot follow.... more...

THE SLEEP Of all the thoughts of God that are Borne inward unto souls afar, Along the Psalmist’s music deep, Now tell me if that any is, For gift or grace, surpassing this— ‘He giveth His beloved, sleep’! What would we give to our beloved? The hero’s heart to be unmoved, The poet’s star-tuned harp, to sweep, The patriot’s voice, to teach and rouse, The monarch’s crown, to light the... more...