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INTRODUCTION Sassoon the Man In appearance he is tall, big-boned, loosely built. He is clean-shaven, pale or with a flush; has a heavy jaw, wide mouth with the upper lip slightly protruding and the curve of it very pronounced like that of a shrivelled leaf (as I have noticed is common in many poets). His nose is aquiline, the nostrils being wide and heavily arched. This characteristic and the fullness,...
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James Beattie
BOOK FIRST. I.h! who can tell how hard it is to climbThe steep, where Fame’s proud temple shines afar!Ah! who can tell how many a soul sublimeHas felt the influence of malignant star,And waged with Fortune an eternal war!Checked by the scoff of Pride, by Envy’s frown,And Poverty’s unconquerable bar,In life’s low vale remote has pined alone,Then dropt into the grave, unpitied and unknown! II.And...
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ON LOVE What is love? Ask him who lives, what is life? ask him who adores, what is God? I know not the internal constitution of other men, nor even thine, whom I now address. I see that in some external attributes they resemble me, but when, misled by that appearance, I have thought to appeal to something in common, and unburthen my inmost soul to them, I have found my language misunderstood, like one...
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by:
Norman Gale
OILING. (A Song In and Out of Season.) Excuse me, Sweetheart, if I smear,With wisdom learnt from ancient teachers,Now winter time once more is here,This grease upon your lengthy features!Behaving thus, your loyal friendNo whit encourages deception:Believe me, Fairest, in the endThis oil will better your complexion.Fairest, believe! Did you imagine in the bagTo sleep the sleep of Rip Van Winkle,Removed...
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G. B. Warren
Author's Introduction To you who have lifted the veil of mists o'er-blown And gazed in the eyes of dawn when night had flown— Have felt in your hearts a thrill of sheer delight As you scanned the scene below from some alpine height— I extend this fleeting glimpse across a world Of forest and meadow land—at last unfurled— Through vistas of soaring peaks with...
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PURGATORY Cantos 1 - 33 O'er better waves to speed her rapid courseThe light bark of my genius lifts the sail,Well pleas'd to leave so cruel sea behind;And of that second region will I sing,In which the human spirit from sinful blotIs purg'd, and for ascent to Heaven prepares. Here, O ye hallow'd Nine! for in your trainI follow, here the deadened strain revive;Nor let Calliope...
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The ordered intermingling of the real and the dream,— The mill above the river, and the mist above the stream; The life of ceaseless labor, brave with song and cheery call— The radiant skies of evening, with its rainbow o'er us all. An Old Sweetheart of Mine!—Is thisher presence here with me,Or but a vain creation ofa lover's memory?A fair, illusive visionthat would vanish into airDared...
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Robert Herrick
PREFACE. It is singular that the first great age of English lyric poetry should have been also the one great age of English dramatic poetry: but it is hardly less singular that the lyric school should have advanced as steadily as the dramatic school declined from the promise of its dawn. Born with Marlowe, it rose at once with Shakespeare to heights inaccessible before and since and for ever, to sink...
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by:
Caris Brooke
All round the year the changing suns and rains Beat on men’s work—to wreck and to decay— But nature builds more perfectly than they, Her changing unchanged sea resists, remains. All round the year new flowers spring up to shew How gloriously life is more strong than death; And in our hearts are seeds of love and faith, Ah, sun and showers, be kind, and let them grow. RESURGAM. Swift pass the...
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J. L. B.
Oh, ye, who so lately were blythesome and gay,At the Butterfly’s Banquet, carousing away;Your feasts and your revels of pleasure are fled,For the soul of the Banquet, the Butterfly’s dead.No longer the Flies and the Emmets advance,To join with their friends in the Grasshopper’s dance;For see, his thin form o’er the favourite bend,And the Grasshopper mourns for the loss of his friend.And hark, to...
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