Poetry Books

SIGNELIL The Lady her handmaid to questioning took:“Why dost thou so sickly and colourless look?”   But sorrow gnaws so sorely! “’Tis little wonder if sickly I’m growing,   Malfred my lady!So much am I busied with cutting and sewing.” “Erewhile was thy cheek as the blooming rose red,But now thou art pale, even pale as the dead.” “To conceal the truth longer ’tis vain to essay,My... more...

THE SINGING MAN I He sang above the vineyards of the world.  And after him the vines with woven handsClambered and clung, and everywhere unfurled  Triumphing green above the barren lands;Till high as gardens grow, he climbed, he stood,  Sun-crowned with life and strength, and singing toil,And looked upon his work; and it was good:        The corn, the wine, the oil. He sang above the... more...

INTRODUCTION WILLIAM CORY (Johnson) was born at Torrington in Devonshire, on January 9, 1823. He was the son of Charles William Johnson, a merchant, who retired at the early age of thirty, with a modest competence, and married his cousin, Theresa Furse, of Halsdon, near Torrington, to whom he had long been attached. He lived a quiet, upright, peaceable life at Torrington, content with little, and... more...

BEING A WORD ON BEHALF OF PATCHOULI. AN ingenuous reviewer once described some verses of mine as "unwholesome," because, he said, they had "a faint smell of Patchouli about them." I am a little sorry he chose Patchouli, for that is not a particularly favourite scent with me. If he had only chosen Peau d'Espagne, which has a subtle meaning, or Lily of the Valley, with which I have... more...

The prologue   THe prudent problems / & the noble werkes Of the gentyll poetes in olde antyquyte Vnto this day hath made famous clerkes For the poetes Wrote nothynge in vanyte But grounded them on good moralyte Encensynge out the fayre dulcet fume Our langage rude to exyle and consume The ryght eloquent poete and monke of bery Made many fayre bookes / as it is probable From ydle derkenes / to... more...

WOODEN SHIPSThey are remembering forests where they grew,—The midnight quiet, and the giant dance;And all the murmuring summers that they knewAre haunting still their altered circumstance.Leaves they have lost, and robins in the nest,Tug of the goodly earth denied to ships,These, and the rooted certainties, and rest,—To gain a watery girdle at the hips.Only the wind that follows ever aft,They greet... more...

Preface At the earliest period concerning which we have any accurate information, about the sixth century A. D., Japanese poetry already contained the germ of its later development. The poems of this early date were composed of a first line of five syllables, followed by a second of seven, followed by a third of five, and so on, always ending with a line of seven syllables followed by another of equal... more...

The Inn of Dreams           Sweet Laughter! Sweet Delight!My heart is like a lighted Inn that waitsYour swift approach . . . and at the open gatesWhite Beauty stands and listens like a flower.She has been dreaming of you in the night,O fairy Princes; and her eyes are bright.Spur your fleet horses, this is Beauty's hour!Even as when a golden flame up-curledQuivers and flickers out in a... more...

1. THE ARGUMENT OF HIS BOOK I sing of brooks, of blossoms, birds, and bowers,Of April, May, of June, and July-flowers;I sing of May-poles, hock-carts, wassails, wakes,Of bride-grooms, brides, and of their bridal-cakes.I write of Youth, of Love;—and have accessBy these, to sing of cleanly wantonness;I sing of dews, of rains, and, piece by piece,Of balm, of oil, of spice, and ambergris.I sing of times... more...

Many editions of Gray have been published in the last fifty years, some of them very elegant, and some showing considerable editorial labor, but not one, so far as I am aware, critically exact either in text or in notes. No editor since Mathias ( 1814) has given the 2d line of the Elegy as Gray wrote and printed it; while Mathias's mispunctuation of the 123d line has been copied by his successors,... more...