Whether Chaos or Order lay at the beginning of things is a question once much debated in the schools but afterward long in abeyance, not so much because it had been solved as because one party had been silenced by social pressure. The question is bound to recur in an age when observation and dialectic again freely confront each other. Naturalists look back to chaos since they observe everything growing from seeds and shifting its character in... more...

Out of necessity nursing, as a profession, reflects the qualities of the culture in which it exists. In our culture for the past quarter of a century nursing has been assailed with rapid economic, technological, shortage- abundance, changing scenes' vicissitudes. In the individual nurse these arouse turmoil and uncertainty. These cultural stirrings inflame that part of the nurse's spirit capable of chaotic conflict and doubt. Often she questions... more...

INTRODUCTION * **   he long obscurity of the Dark Ages lifted over Italy, awakening to a national though a divided consciousness. Already two distinct tendencies were apparent. The practical and rational, on the one hand, was soon to be outwardly reflected in the burgher-life of Florence and the Lombard cities, while at Rome it had even then created the civil organization of the curia. The novella was its literary triumph. In art it... more...

THE PREFACE The artist is the creator of beautiful things.To reveal art and conceal the artist is art's aim.The critic is he who can translate into another manner or a new material his impression of beautiful things.The highest, as the lowest, form of criticismis a mode of autobiography.Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault.Those who find beautiful meanings inbeautiful things are the... more...

THE PHILOSOPHY OF THE CONDITIONED. The reader of Plato’s Republic will readily recall to mind that wonderful passage at the end of the sixth book, in which the philosopher, under the image of geometrical lines, exhibits the various relations of the intelligible to the sensible world; especially his lofty aspirations with regard to “that second segment of the intelligible world, which reason of itself grasps by the power of... more...

PREFACE IN the daily life of the ordinary man, a life crowded with diverse interests and increasingly complex demands, some few moments of a busy week or month or year are accorded to an interest in art. Whatever may be his vocation, the man feels instinctively that in his total scheme of life books, pictures, music have somewhere a place. In his own business or profession he is an expert, a man of special training; and intelligently he does not... more...

PREFACE The following pages are the answer to questions which a young man asked himself when, fresh from the university, he found himself adrift in the great galleries of Europe. As he stood helpless and confused in the presence of the visible expressions of the spirit of man in so many ages and so many lands, one question recurred insistently: Why are these pictures? What is the meaning of all this striving after expression? What was the aim of... more...

PROLOGUE What I am anxious to attempt in this anticipatory summary of the contents of this book is a simple estimate of its final conclusions, in such a form as shall eliminate all technical terms and reduce the matter to a plain statement, intelligible as far as such a thing can be made intelligible, to the apprehension of such persons as have not had the luck, or the ill-luck, of a plunge into the ocean of metaphysic. A large portion of the... more...

PREFACE In an essay on "The Problem of Philosophy at the Present Time," Professor Edward Caird says that "philosophy is not a first venture into a new field of thought, but the rethinking of a secular and religious consciousness which has been developed, in the main, independently of philosophy." If there be any inspiration and originality in this book, they are due to my great desire that philosophy should appear in its vital relations to more... more...

INTRODUCTION. OUR age is retrospective. It builds the sepulchres of the fathers. It writes biographies, histories, and criticism. The foregoing generations beheld God and nature face to face; we, through their eyes. Why should not we also enjoy an original relation to the universe? Why should not we have a poetry and philosophy of insight and not of tradition, and a religion by revelation to us, and not the history of theirs? Embosomed for a... more...