Philosophy Books

I THE INTELLECTUAL TEMPER OF THE AGE The present age is a critical one and interesting to live in. The civilisation characteristic of Christendom has not disappeared, yet another civilisation has begun to take its place. We still understand the value of religious faith; we still appreciate the pompous arts of our forefathers; we are brought up on academic architecture, sculpture, painting, poetry, and... more...

PARIS TRANSLATION, First published in this Country by Dixon and Sickels.INVOCATION.Hail, solitary ruins! holy sepulchres, and silent walls! you I invoke; to you I address my prayer. While your aspect averts, with secret terror, the vulgar regard, it excites in my heart the charm of delicious sentiments—sublime contemplations. What useful lessons! what affecting and profound reflections you suggest to... more...

THE USE OF BEAUTY.   I. One afternoon, in Rome, on the way back from the Aventine, the road-mender climbed onto the tram as it trotted slowly along, and fastened to its front, alongside of the place of the driver, a bough of budding bay. Might one not search long for a better symbol of what we may all do by our life? Bleakness, wind, squalid streets, a car full of heterogeneous people, some very dull,... more...

Religion THE APOCRYPHA Apocrypha is a Greek word, signifying "secret" or "hidden," but in the sixteenth century it came to be applied to a list of books contained in the Septuagint, or Greek translation of the Old Testament, but not in the Palestinian, or Hebrew Canon. Hence, by theological or bibliographic purists, these books were not regarded as genuine Scripture. That view was... more...

THE PREFACE. When Mr. Pococke first publish'd this Arabick Author with his accurate Latin Version, Anno 1671. Dr. Pococke his Father, that late eminent Professor of the Oriental Languages in the University of Oxford, prefix'd a Preface to it; in which he tells us, that he has good Reason to think, that this Author was contemporary with Averroes, who died very ancient in the Year of the Hegira... more...

CHAPTER I THE COMIC IN GENERAL—THE COMIC ELEMENT IN FORMS AND MOVEMENTS—EXPANSIVE FORCE OF THE COMIC. What does laughter mean? What is the basal element in the laughable? What common ground can we find between the grimace of a merry-andrew, a play upon words, an equivocal situation in a burlesque and a scene of high comedy? What method of distillation will yield us invariably the same essence from... more...

PREFACE No excuse is needed for presenting to the English reader a History of Mediæval Jewish Philosophy. The English language, poor enough in books on Jewish history and literature, can boast of scarcely anything at all in the domain of Jewish Philosophy. The Jewish Encyclopedia has no article on Jewish Philosophy, and neither has the eleventh edition of the Encyclopedia Britannica. Hastings'... more...

PREFACE IN the daily life of the ordinary man, a life crowded with diverse interests and increasingly complex demands, some few moments of a busy week or month or year are accorded to an interest in art. Whatever may be his vocation, the man feels instinctively that in his total scheme of life books, pictures, music have somewhere a place. In his own business or profession he is an expert, a man of... more...

Civility is beauty of behaviour. It requires for its perfection patience, self-control, and an environment of leisure. For genuine courtesy is a creation, like pictures, like music. It is a harmonious blending of voice, gesture and movement, words and action, in which generosity of conduct is expressed. It reveals the man himself and has no ulterior purpose. Our needs are always in a hurry. They rush... more...

GENERAL INTRODUCTION TO THE SERIES Man has no deeper or wider interest than theology; none deeper, for however much he may change, he never loses his love of the many questions it covers; and none wider, for under whatever law he may live he never escapes from its spacious shade; nor does he ever find that it speaks to him in vain or uses a voice that fails to reach him. Once the present writer was... more...