Philosophy Books

Religion THE APOCRYPHA Apocrypha is a Greek word, signifying "secret" or "hidden," but in the sixteenth century it came to be applied to a list of books contained in the Septuagint, or Greek translation of the Old Testament, but not in the Palestinian, or Hebrew Canon. Hence, by theological or bibliographic purists, these books were not regarded as genuine Scripture. That view was... more...

THE PREFACE. When Mr. Pococke first publish'd this Arabick Author with his accurate Latin Version, Anno 1671. Dr. Pococke his Father, that late eminent Professor of the Oriental Languages in the University of Oxford, prefix'd a Preface to it; in which he tells us, that he has good Reason to think, that this Author was contemporary with Averroes, who died very ancient in the Year of the Hegira... more...

The work now laid before the public originated in indignation at the shallow and false criticism of the periodicals of the day on the works of the great living artist to whom it principally refers. It was intended to be a short pamphlet, reprobating the matter and style of those critiques, and pointing out their perilous tendency, as guides of public feeling. But, as point after point presented itself... more...

INTRODUCTION It might seem that about Blaise Pascal, and about the two works on which his fame is founded, everything that there is to say had been said. The details of his life are as fully known as we can expect to know them; his mathematical and physical discoveries have been treated many times; his religious sentiment and his theological views have been discussed again and again; and his prose... more...

CHAPTER I. OF THE RANK AND RELATIONS OF THE THEORETIC FACULTY. Although the hasty execution and controversial tone of the former portions of this essay have been subjects of frequent regret to the writer, yet the one was in some measure excusable § 1. With what care the subject is to be approached.in a work referred to a temporary end, and the other unavoidable, in one directed against particular... more...

CHAPTER I. INTRODUCTION. "Grau, theurer Freund, ist alle Theorie, Und grün des Lebens goldner Baum." (Faust.) There is a saying of Hegel's, frequently quoted, that "a great man condemns the world to the task of explaining him." The condemnation is a double one, and it generally falls heaviest on the great man himself, who has to submit to explanation; and, probably, the last... more...

CHAPTER I THE COMIC IN GENERAL—THE COMIC ELEMENT IN FORMS AND MOVEMENTS—EXPANSIVE FORCE OF THE COMIC. What does laughter mean? What is the basal element in the laughable? What common ground can we find between the grimace of a merry-andrew, a play upon words, an equivocal situation in a burlesque and a scene of high comedy? What method of distillation will yield us invariably the same essence from... more...

I. THE THREE METAMORPHOSES. Three metamorphoses of the spirit do I designate to you: how the spirit becometh a camel, the camel a lion, and the lion at last a child. Many heavy things are there for the spirit, the strong load-bearing spirit in which reverence dwelleth: for the heavy and the heaviest longeth its strength. What is heavy? so asketh the load-bearing spirit; then kneeleth it down like the... more...

I. OUR IGNORANCE OF OURSELVES. Self-Analysis, apart from its scientific uses, has seldom rewarded those who have practised it. To probe into the inner world of motive and desire has proved of small benefit to any one, whether hermit, monk or nun, indeed it has been altogether mischievous in result, unless the mind that probed, was especially healthy. Bitter has been the dissatisfaction, both with the... more...

INTRODUCTION Since the early nineteenth century it has been known that Frances Reynolds, the sister of Sir Joshua, was the author of an essay on taste, which she had printed but did not publish. Yet persistent search failed to turn up a single copy. It remained one of those lost pieces which every research scholar hoped someday to discover. In 1935 it appeared that the search was over. Among some... more...