General Books

THE FUTURE OF AMERICAN RAILWAYS. The condition of our railways, and their financial prospects, should interest all of us. It has become a common remark, that railways have benefited everybody but their projectors. There is a strong doubt in the minds of many intelligent persons, whether any railways have actually paid a return on the capital invested in them. It is believed that one of two results... more...

INSTINCT. "Instinct is a great matter," quoth Falstaff, when called upon to find out a device, a "starting-hole," to hide himself from the open and apparent shame of having run away from the fight and hacked his sword like a handsaw with his own dagger. Like a valiant lion, he would not turn upon the true prince, but ran away upon instinct. Although the peculiar circumstances of the... more...

THE LAWS OF BEAUTY. The fatal mistake of many inquirers concerning the line of beauty has been, that they have sought in that which is outward for that which is within. Beauty, perceived only by the mind, and, so far as we have any direct proof, perceived by man alone of all the animals, must be an expression of intelligence, the work of mind. It cannot spring from anything purely accidental; it does... more...

THE FRENCH CHARACTER. The American character is now generally acknowledged to be the most cosmopolitan of modern times; and a native of this country, all things being equal, is likely to form a less prescriptive idea of other nations than the inhabitants of countries whose neighborhood and history unite to bequeathe and perpetuate certain fixed notions. Before the frequent intercourse now existing... more...

COUNTING AND MEASURING. Though, from the rapid action of the eye and the mind, grouping and counting by groups appear to be a single operation, yet, as things can be seen in succession only, however rapidly, the counting of things, whether ideal or real, is necessarily one by one. This is the first step of the art. The second step is grouping. The use of grouping is to economize speech in numeration,... more...

OUR ARTISTS IN ITALY. HIRAM POWERS. Antique Art, beside affording a standard by which the modern may be measured, has the remarkable property-giving it a higher value—of testing the genuineness of the Art-impulse. Even to genius, that is, to the artist, a true Art-life is difficult of attainment. In the midst of illumination, there is the mystery: the subjective mystery, out of which issue the... more...

E. FELICE FORESTI. Late in the autumn of 1836, an Austrian brig-of-war cast anchor in the harbor of New York; and seldom have voyagers disembarked with such exhilarating emotions as thrilled the hearts of some of the passengers who then and there exchanged ship for shore. Yet their delight was not the joy of reunion with home and friends, nor the cheerful expectancy of the adventurous upon reaching a... more...

DAILY BEAUTY. Toward the end of a city morning, that is, about four o'clock in the afternoon, Stanford Grey, and his guest, Daniel Tomes, paused in an argument which had engaged them earnestly for more than half an hour. What they had talked about it concerns us not to know. We take them as we find them, each leaning back in his chair, confirmed in the opinion that he had maintained, convinced... more...

The Life and Works of Ary Scheffer. No painter of this age has made so deep an impression on the popular mind of America as Ary Scheffer. Few, if any other contemporary artists are domesticated at our firesides, and known and loved in our remotest villages and towns. Only a small number, indeed, of his original works have been exhibited here,—yet engravings from them are not only familiar to every... more...

THE DRAMATIC ELEMENT IN THE BIBLE. We say dramatic element in the Bible, not dramatic element of the Bible, since that of which we speak is not essential, but incidental; it is an aspect of the form of the book, not an attribute of its inspiration. By the use of the term dramatic in this connection, let us, in the outset, be understood to have no reference whatever to the theatre and stage-effect, or... more...