Periodicals
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Periodicals Books
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DOING THE OLD MASTERS. (A Sketch at Burlington House.) IN GALLERY NO. I. The Usual Elderly Lady (who judges every picture solely by its subject). "No. 9. Portrait of Mrs. BRYANSTON of Portman. By GAINSBOROUGH." I don't like that at all. Such a disagreeable expression! I can't think why they exhibit such things. I'm sure there's no pleasure in looking at them! Her Companion...
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THE MORAL OF PUNCH. As we hope, gentle public, to pass many happy hours in your society, we think it right that you should know something of our character and intentions. Our title, at a first glance, may have misled you into a belief that we have no other intention than the amusement of a thoughtless crowd, and the collection of pence. We have a higher object. Few of the admirers of our prototype,...
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ONLY FANCY! We learn by telegraph from Berlin that some uneasiness exists in that capital owing to demonstrations made by the photographists and artists in plaster-of-Paris, who have been accustomed to reproduce likenesses and busts of His Imperial Majesty. They complain that, owing to a measure of uncertainty about the EMPEROR's personal appearance from day to day, they have large stocks thrown...
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CANCEL, OR RECALL. The World last week sounded a note about the compulsory retirement, by reason of age, from one of the large Revenue Departments, of a gentleman who has the great honour to be the son of "the most distinguished Irishman of this century." If this sentence has really been passed authoritatively, which Mr. Punch takes leave to doubt, then said "Authority" will do well to...
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No. VI.—TO VANITY. DEAR VANITY, I think I can see you smirking and posturing before the abstract mirror, which is your constant companion. It pleases you, no doubt, to think that anybody should pay you the compliment of making you the object and the subject of a whole letter. Perhaps when you have read it to the end you will alter your mood, since it cannot please you to listen to the truth about...
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LETTERS TO ABSTRACTIONS. No. VII.—TO VANITY. DEAR VANITY, Imagine my feelings when I read the following letter. It lay quite innocently on my breakfast-table in a heap of others. It was stamped in the ordinary way, post-marked in the ordinary way, and addressed correctly, though how the charming writer discovered my address I cannot undertake to say; in fact, there was nothing in its outward...
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"ARE YOU HANSARD NOW?" Merchant of Venice. ["The entire stock of Hansard's Parliamentary Debates ... was offered for sale. The vast collection, nearly 100,000 volumes, scarcely fetched the price of waste paper."—Daily Paper.] The Auctioneer exclaimed,—"These Vols. Have neither fault nor blot. I think that I, without demur, May call them quite 'a lot.'...
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HOSPITALITY À LA MODE. ["Programmes and introductions are going out of fashion at balls."—Weekly Paper.] SCENE—Interior of a Drawing-room during a dance. Sprightly Damsel disengaged looking out for a partner. She addresses cheerful-looking Middle-aged Gentleman, who is standing near her. She. I am not quite sure whether I gave you this waltz? He. Nor I. But I hope you did. I am afraid it...
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YOUNG GRANDOLPH'S BARTY. (Afrikander Version of the great Breitmann Ballad, penned, "more in sorrow than in anger," by a "Deutscher" resident in the distant regions where the Correspondent of the "Daily Graphic" is, like der Herr Breitmann himself, "drafellin' apout like eferydings.") Young GRANDOLPH hat a Barty— Vhere is dat Barty now? He fell'd in luf...
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THE AUTOMATIC PHYSIOGNOMIST. SCENE—The German Exhibition, near an ingenious machine constructed to reveal the character and future of a person according to the colour of his or her hair, for the small consideration of one penny. A party of Pleasure-seekers are examining it. First Pleasure-seeker (a sprightly young lady of the name of LOTTIE). "Put in a penny and get a summary of your character...
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