Periodicals Books

In my presidential address, which I had the pleasure of reading before this society at our first meeting this year, I called attention, somewhat hurriedly, to the results of a few of my experiments on induction, and at the same time expressed a hope that at a future date I might be able to bring them more prominently before you. That date has now arrived, and my endeavor this evening will be to... more...

The death of this distinguished man must be recorded. An interesting résumé of his labors by M. Daubree has appeared, from which we take the following facts. After a training in his native town at the Lyceum of Metz, which furnished so many scholars to the Polytechnic school, Delesse was admitted at the age of twenty to this school. In 1839 he left to enter the Corps des Mines. From the beginning of... more...

LINKS IN THE HISTORY OF THE LOCOMOTIVE. It is, perhaps, more difficult to write accurate history than anything else, and this is true not only of nations, kings, politicians, or wars, but of events and things witnessed or called into existence in every-day life. In The Engineer for September 17, 1880, we did our best to place a true statement of the facts concerning the Rocket before our readers. In... more...

BRISTOL CATHEDRAL. BRISTOL CATHEDRAL. An Augustinian monastery, founded by Robert Fitzhardinge in 1142, had its church, of Norman architecture, to which additions were made in the early English period. When Edmund Knowle was abbot, from 1306 to 1332, the Norman choir was replaced by that which now exists. His successor, Abbot Snow, built the chapels on the south side of the choir. Abbot Newland,... more...

THE RETIRO VIADUCT. We give engravings of the viaduct over the river Retiro, Brazil, our illustrations being reproduced by permission from the Proceedings of the Institution of Civil Engineers. In a "selected paper" contributed to the volume of these proceedings just published, Mr. Jorge Rademaker Grunewald, Memb. Inst. C.E., describes the work as follows:   VIADUCT OVER THE RETIRO, BRAZIL.... more...

DRYDEN ON SHAKSPERE. "Dryden may be properly considered as the father of English criticism, as the writer who first taught us to determine upon principles the merit of composition."—Samuel Johnson. No one of the early prose testimonies to the genius of Shakspere has been more admired than that which bears the signature of John Dryden. I must transcribe it, accessible as it is elsewhere, for... more...

THE USE OF IRON IN FORTIFICATION. Roumania is thinking of protecting a portion of the artillery of the forts surrounding her capital by metallic cupolas. But, before deciding upon the mode of constructing these formidable and costly affairs, and before ordering them, she has desired to ascertain their efficacy and the respective merits of the chilled iron armor which was recently in fashion and of... more...

NOTE ON THE CONSTRUCTION OF A DISTILLERY CHIMNEY. FIG. 1—ELEVATION. At a recent meeting of the Industrial Society of Amiens, Mr. Schmidt, engineer of the Steam Users' Association, read a paper in which he described the process employed in the construction of a large chimney of peculiar character for the Rocourt distillery, at St. Quentin. This chimney, which is cylindrical in form, is 140 feet... more...

Two miles west of the village of Laketon there lived an aged recluse who was known only as Old Crompton. As far back as the villagers could remember he had visited the town regularly twice a month, each time tottering his lonely way homeward with a load of provisions. He appeared to be well supplied with funds, but purchased sparingly as became a miserly hermit. And so vicious was his tongue that few... more...

onfound it, Carnes, I am on my vacation!” “I know it, Doctor, and I hate to disturb you, but I felt that I simply had to. I have one of the weirdest cases on my hands that I have ever been mixed up in and I think that you’ll forgive me for calling you when I tell you about it.” How could a human body be found actually splintered––broken into sharp fragments like a shattered glass! Once... more...