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THE STATE OF THE OSSIANIC CONTROVERSY. [Continued.] Mr Arnold in that handsome, but slightly ambiguous admission of his, that the Celts in their intellectual capacity come very near the secret of nature and of natural magic, does not seem to imply more in reality than that they have a subtler sense of certain natural affinities than their Anglo-Saxon brethren have; that they apprehend more surely when,... more...

In controversy about Ossian, the man on the affirmative side has an immeasurable advantage over all others; and, with an average practical acquaintance with the subject, may exhaust any antagonist. The contents, the connection, and the details; the origin, the tradition, the translation; the poetry, the sentiment, the style; the history, the characters, the dramatis personæ; the aspects of nature... more...

INTRODUCTORY.   In the circular issued, announcing the Celtic Magazine, we stated that it was to be a Monthly Periodical, written in English, devoted to the Literature, History, Antiquities, Traditions, Folk-lore, and the Social and Material Interests of the Celt at Home and Abroad: that it would be devoted to Celtic subjects generally, and not merely to questions affecting the Scottish Highlands:... more...

by: Various
BYZANTINE-ROMANESQUE DOORWAYS IN SOUTHERN ITALY. The illustrations chosen for this issue are all from the Byzantine Romanesque work in the province of Apulia, that portion of Southern Italy familiar in school-boy memory as the heel of the boot. Writers upon architecture have found it difficult to strictly classify the buildings of this neighborhood, as in fact is the case with most of the medieval... more...

by: Various
THE COUNTRY HOUSES OF NORMANDY. THE houses chosen for illustration in this number are of different types, of different dates, built for men of different stations in life, and are constructed of different materials. They are, however, all in the province of Normandy, in northern France, and they are all situated outside the towns; further than this it may not be well to go in attempting to classify them... more...

by: Various
ITALIAN WROUGHT IRON. The wrought iron of the middle ages, and of the time of the Renaissance, and even down to the last century, in Italy, France, and Germany showed, in the crudest examples, the principal virtues of all true decorative art. The reason is not far to seek. The difficulties in the way of working the material with ease imposed certain limitations in design and execution which could not... more...

by: Various
TWO FLORENTINE PAVEMENTS. The church of San Miniato al Monte, just outside the walls southeast of Florence, and the Baptistery, or church of San Giovanni Battista, in Florence, are among the finest examples of the Tuscan Romanesque style, and both probably date from about the same time—the early part of the twelfth century—although the date of San Miniato has until recently been referred several... more...

by: Various
THE CLOISTER AT MONREALE, NEAR PALERMO, SICILY. The island of Sicily, being in form nearly an equilateral triangle, with one side facing towards Italy, another towards Greece, and the third, towards Africa, was a tempting field for conquest to the various nations surrounding it. It was successively overrun by the Greeks, Carthaginians, and Romans, and later, after the Christian era, again successively... more...

by: Various
FRENCH FARMHOUSES. As it is the purpose of THE BROCHURE SERIES to cover as wide a field as possible in choice of subject matter for its illustrations, and at the same time hold rigidly to the idea of furnishing only what will be useful to its subscribers, it has seemed desirable to present something a little nearer our everyday life than the Italian work which has thus far formed the greater part of... more...

by: Various
RENAISSANCE PANELS FROM PERUGIA. The carved walnut panels from the choir stalls of the Church of San Pietro de' Casinense in Perugia, designed by Stefano da Bergamo in 1535, which are given as illustrations in this number, are excellent examples of the ornament of the later period of the Italian Renaissance. This form of ornament was first used in flat painted panels upon pilasters, such as the... more...