Non-Classifiable Books

Many pens have been burnished this year of grace for the purpose of celebrating with befitting honour the second centenary of the birth of Henry Fielding; but it is more than doubtful if, when the right date occurs in March 1921, anything like the same alacrity will be shown to commemorate one who was for many years, and by such judges as Scott, Hazlitt, and Charles Dickens, considered Fielding's... more...

Eulalia. God spede, & a thousand mine old acqueintāce. xantippa. xan. As many agayn, my dere hert. Eulalia. me semets ye ar warē much faire now of late. Eula. Saye you so? gyue you me a mocke at the first dash. xan. Nay veryly but I take you so. Eula. Happely mi new gown maketh me to loke fayrer then I sholde doe. xan. Sothe you saye, I haue not sene a mynioner... more...

CHAPTER I. OUR COTTAGE HOME. MY early days were all spent in the beautiful county of Dumfries, which Scotch folks call the Queen of the South. There, in a small cottage, on the farm of Braehead, in the parish of Kirkmahoe, I was born on the 24th May, 1824. My father, James Paton, was a stocking manufacturer in a small way; and he and his young wife, Janet Jardine Rogerson, lived on terms of warm... more...

BOOK ONE VINCENT: Who would have thought, O my good uncle, a few years past, that those in this country who would visit their friends lying in disease and sickness would come, as I do now, to seek and fetch comfort of them? Or who would have thought that in giving comfort to them they would use the way that I may well use to you? For albeit that the priests and friars be wont to call upon sick men to... more...

PREFACE I need not explain how these Shadows were suggested, to any one who has seen WILKIE'S picture, "The Rabbit on the Wall." But by what pains they were invented can never be revealed; for it is known to my tortured digits alone, and they, luckily for me, are dumb. I calculate that I put my ten fingers through hundreds of various exercises before my "Bird" took wing; my left... more...

The design of this book is twofold,—to meet the present demand for new selections suited to the spirit of the hour, and also to furnish a choice collection of standard pieces for elocutionary exercises on which time has set its lasting seal. In the execution of this design no pains have been spared in selecting and preparing the best pieces, both new and old. The extracts from recent productions,... more...

Chapter I. The line of demarcation made between infancy and childhood, both by ancient and modern writers, has always been arbitrary. I would draw the line between the two, at a period of time which appears to me to be the most natural, the most simple, and least likely to lead the reader into the danger of misapplying any part of the practical directions of this, or any future chapter of the work. We... more...

THE ORATORIO. The oratorio in its modern form is a musical setting of a sacred story or text in a style more or less dramatic. Its various parts are assigned to the four solo voices and to single or double chorus, with accompaniment of full orchestra, sometimes amplified by the organ. Like the opera, it has its recitative, linking together and leading up to the various numbers. The origin of the word... more...

CHAPTER 1. THE MASON-BEES. Reaumur (Rene Antoine Ferchault de Reaumur (1683-1757), inventor of the Reaumur thermometer and author of "Memoires pour servir a l'histoire naturelle des insectes."—Translator's Note.) devoted one of his papers to the story of the Chalicodoma of the Walls, whom he calls the Mason-bee. I propose to go on with the story, to complete it and especially to... more...

GEORGE CARY EGGLESTON SOUTHERN LITERATURE [Speech of George Cary Eggleston at the first annual banquet of the New York Southern Society, February 22, 1887. Algernon Sidney Sullivan, President of the Society, was in the chair. In introducing the speaker Mr. Sullivan said: "We want to hear a word about 'Southern Literature,' and we will now call upon Mr. George Cary Eggleston to respond to... more...