Non-Classifiable Books

FIRST CHILD TO JOSHUA F. SPEED. SPRINGFIELD, May 18, 1843. DEAR SPEED:—Yours of the 9th instant is duly received, which I do not meet as a "bore," but as a most welcome visitor. I will answer the business part of it first. In relation to our Congress matter here, you were right in supposing I would support the nominee. Neither Baker nor I, however, is the man, but Hardin, so far as I can... more...

1. LIFE With the exception of a very small number of statements, of which the truth is by no means certain, all that we know of Lucian is derived from his own writings. And any reader who prefers to have his facts at first rather than at second hand can consequently get them by reading certain of his pieces, and making the natural deductions from them. Those that contain biographical matter are, in the... more...

INTRODUCTION It cannot be denied that the academic expression "Literature" is an ill-favoured word. It involuntarily calls up the Antithesis of Life, of Personal Experience, of the Simple Expression of Thought and Feeling. With what scorn does Verlaine exclaim in his Poems: "And the Rest is only Literature." The word is not employed here in Verlaine's sense. The Impersonal is to be... more...

CHAPTER I. A few years ago I received from a friend to whom they had been addressed a collection of my own letters, written during a period of forty years, and amounting to thousands—a history of my life. The passion for universal history (i.e. any and every body's story) nowadays seems to render any thing in the shape of personal recollections good enough to be printed and read; and as the... more...

Rembrandt's Etching Technique: An Example A Rembrandt print in the collection of the Smithsonian Institution has been made the subject of a study of the artist's etching technique. The author is associate curator, division of graphic arts, in the Smithsonian Institution's Museum of History and Technology. All footnotes appear at the end of this paper. Rembrandt's print, Landscape... more...

I. Florentine painting between Giotto and Michelangelo contains the names of such artists as Orcagna, Masaccio, Fra Filippo, Pollaiuolo, Verrocchio, Leonardo, and Botticelli. Put beside these the greatest names in Venetian art, the Vivarini, the Bellini, Giorgione, Titian, and Tintoret. The difference is striking. The significance of the Venetian names is exhausted with their significance as painters.... more...

CHAPTER I. Project—On the stocks—Profile—Afloat alone—Smart lads—Swinging—Anchors—Happy boys—Sea reach—Good looks—Peep below—Important trifles—In the well—Chart—Watch on deck—Eating an egg—Storm sail. It was a strange and pleasant life for me all the summer, sailing entirely alone by sea and river fifteen hundred miles, and with its toils, perils, and adventures heartily... more...

Sleep walking or night wandering, known also by its Latin name of noctambulism, is a well-known phenomenon. Somnambulism is not so good a term for it, since that signifies too many things. In sleep walking a person rises from his bed in the night, apparently asleep, walks around with closed or half opened eyes, but without perceiving anything, yet performs all sorts of apparently purposeful and often... more...

INTRODUCTION. Among the notable books of later times-we may say, without exaggeration, of all time—must be reckoned The Confessions of Jean Jacques Rousseau. It deals with leading personages and transactions of a momentous epoch, when absolutism and feudalism were rallying for their last struggle against the modern spirit, chiefly represented by Voltaire, the Encyclopedists, and Rousseau himself—a... more...

I: A Gesture and a Quest Telemachus had wandered so far in search of his father he had quite forgotten what he was looking for. He sat on a yellow plush bench in the café El Oro del Rhin, Plaza Santa Ana, Madrid, swabbing up with a bit of bread the last smudges of brown sauce off a plate of which the edges were piled with the dismembered skeleton of a pigeon. Opposite his plate was a similar plate his... more...