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JUDGMENT OF COOKE, RICHARDSON and SOMERS JJ. On 5 August 1981, for reasons then given, this Court ordered that these proceedings be removed as a whole from the High Court to this Court for hearing and determination. They are proceedings, brought by way of application for judicial review, in which certain parts of the report of the Royal Commission on the Mount Erebus aircraft disaster are attacked. In... more...

ON PATTISON'S MEMOIRS. To reckon the subject of this volume among leading minds who have stamped a deep influence on our generation, is not possible even to the friendliest partiality. That was not his position, and nobody could be less likely than he would himself have been to claim it. Pattison started no new problem. His name is associated with no fertile speculation, and with no work of the... more...

INTRODUCTION I. ON RAPHAEL'S CHARACTER AS AN ARTIST. No one of the old Italian masters has taken such a firm hold upon the popular imagination as Raphael. Other artists wax and wane in public favor as they are praised by one generation of critics or disparaged by the next; but Raphael's name continues to stand in public estimation as that of the favorite painter in Christendom. The passing... more...

This is the sixth of the series of lectures known as the WILLIAM PENN LECTURES. They are supported by the Young Friends' Movement of Philadelphia Yearly Meeting, which was organized on Fifth month 13th, 1916, at Race Street Meeting House in Philadelphia, for the purpose of closer fellowship, for the strengthening of such association and the interchange of experience, of loyalty to the ideals of... more...

INTRODUCTION The account of the houses or hogáns of the Navaho Indians which is presented here will be of interest to the student of architecture, it is believed, because data concerning such primitive types of house structures are quite rare. It is also thought to be of interest to the archeologist and ethnologist as well as to the general reader, for it is well known that no one product of a... more...

Douglas was now at the zenith of his success, master of all his resources, the most admired, dreaded and powerful man in American public life. History must inexorably condemn much of his most brilliant and successful work, but the very emphasis of its condemnation is an involuntary tribute to the matchless efficiency of the man. At this period he was the most masterful and commanding personage of... more...

A peculiar gap exists between the accepted theoretical basis of instruction in singing and the actual methods of vocal teachers. Judging by the number of scientific treatises on the voice, the academic observer would be led to believe that a coherent Science of Voice Culture has been evolved. Modern methods of instruction in singing are presumed to embody a system of exact and infallible rules for the... more...

A hygiene that claims to be new and of the greatest practicality, and certainly revolutionary in its application, would seem to require something of its origin and development to excite the interest of the intelligent reader. Methods in health culture are about as numerous as the individuals who find some method necessary for the health: taking something, doing something for the health is the burden of... more...

CHAPTER I. BOTH SIDES OF THE SEA. With the ending of the set of studies among the working-women of New York, begun in the early autumn of 1886 and continued through several months of 1887, came the desire to know something of comparative conditions abroad, and thus be better able to answer questions constantly put, as to the actual status of women as workers, and of their probable future in these... more...

I. ON MICHELANGELO'S CHARACTER AS AN ARTIST. Michelangelo's place in the world of art is altogether unique. His supremacy is acknowledged by all, but is understood by a few only. In the presence of his works none can stand unimpressed, yet few dare to claim any intimate knowledge of his art. The quality so vividly described in the Italian word terribilitĂ  is his predominant trait. He is one... more...