Shakespeare Books

PREFACE In telling the story of Shakespeare's life and work within strict limits of space, an attempt has been made to keep closely to essential matters. There is no period of the poet's life, there is no branch of his marvellous work, that has not been the subject of long and learned volumes, no single play that has not been discussed at greater length than serves here to cover the chief... more...

How the Play came to be Written I had better explain why, in this little piece d'occasion, written for a performance in aid of the funds of the project for establishing a National Theatre as a memorial to Shakespear, I have identified the Dark Lady with Mistress Mary Fitton. First, let me say that I do not contend that the Dark Lady was Mary Fitton, because when the case in Mary's favor (or... more...

WALTER CRANE 1893 See handwritten text Mr Dallas's reproductions of my pen drawings for this work appear to me to be very faithful & successful in preserving the touch & general character of the originals. I have to certify that I have printed 650 copies of each of these eight subjects designed by Walter Crane, and engraved in Dallastype Facsimile by myself. Six Hundred Copies are for... more...

INTRODUCTORY The Shakespearean Sonnets are not a single or connected work like an ordinary play or poem. Their composition apparently extended over a considerable time, which may be fairly estimated as not less than four years. Read literally they seem to portray thoughts, modes or experiences fairly assignable to such a period. Though variable and sometimes light and airy in their movement, the... more...

There was a certain island in the sea, the only inhabitants of which were an old man, whose name was Prospero, and his daughter Miranda, a very beautiful young lady. She came to this island so young, that she had no memory of having seen any other human face than her father's. They lived in a cave or cell, made out of a rock; it was divided into several apartments, one of which Prospero called his... more...

CHAPTER I Scattered here and there through the stacks of unpublished manuscript which constitute this formidable Autobiography and Diary of mine, certain chapters will in some distant future be found which deal with “Claimants”—claimants historically notorious: Satan, Claimant; the Golden Calf, Claimant; the Veiled Prophet of Khorassan, Claimant; Louis XVII., Claimant; William Shakespeare,... more...

"It would be hard to name a better commonplace book for summer lawns. . . . The lover of poetry, the lover of gardening, and the lover of quaint, out-of-the-way knowledge will each find something to please him. . . . It is a delightful example of gardening literature."—Pall Mall Gazette. "Mr. Ellacombe, with a double enthusiasm for Shakespeare and for his garden, has produced a very... more...

Mr. Crosby's article on Shakespeare's attitude toward the working classes suggested to me the idea of also expressing my own long-established opinion about the works of Shakespeare, in direct opposition, as it is, to that established in all the whole European world. Calling to mind all the struggle of doubt and self-deceit,—efforts to attune myself to Shakespeare—which I went through... more...

PREFACE When I was invited to reprint in book-form the articles which had appeared in the Genealogical Magazine under the titles of "Shakespeare's Family" and the "Warwickshire Ardens," I carefully corrected them, and expanded them where expansion could be made interesting. Thus to the bald entries of Shakespeare's birth and burial I added a short life. Perhaps never before... more...

INTRODUCTION Mr. Kipling’s brilliant reconstruction of the genesis of the ‘Tempest’ may remind us how often that play has excited the creative fancy of its readers. It has given rise to many imitations, adaptations, and sequels. Fletcher copied its storm, its desert island, and its woman who had never seen a man. Suckling borrowed its spirits. Davenant and Dryden added a man who had never seen a... more...