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Showing: 151-160 results of 180

INTRODUCTION. In the latter part of the seventeenth century, and during nearly the whole of the eighteenth, the literature of Rome exercised an imperial sway over European taste. Pope thought fit to assume an apologetic tone when he clothed Homer in an English dress, and reminded the world that, as compared with Virgil, the Greek poet had at least the merit of coming first. His own mind was of an emphatically Latin order. The great poets of his... more...

ESSAYS INTRODUCTORY THE SO-CALLED HOMERIC HYMNS “The existing collection of the Hymns is of unknown editorship, unknown date, and unknown purpose,” says Baumeister.  Why any man should have collected the little preludes of five or six lines in length, and of purely conventional character, while he did not copy out the longer poems to which they probably served as preludes, is a mystery.  The celebrated Wolf, who opened the... more...

CHAPTER I. INTRODUCTION. Information of Mediæval Europe Concerning India and Persia—Travellers—India and Persia in Mediæval German Poetry. The knowledge which mediæval Europe had of India and Persia was mostly indirect, and, as might be expected, deficient both in correctness and extent, resting, as it did, on the statements of classical and patristic writers, on hearsay and on oral communication. In the... more...

PREFACE This is no Chronicle of Saints. Nor yet is it a History of Devils. It is a record of certain very human, strenuous men in a very human, strenuous age; a lustful, flamboyant age; an age red with blood and pale with passion at white-heat; an age of steel and velvet, of vivid colour, dazzling light and impenetrable shadow; an age of swift movement, pitiless violence and high endeavour, of sharp antitheses and amazing contrasts. To judge it... more...

CHAPTER I THOTH, THE AUTHOR OF EGYPTIAN LITERATURE.WRITING MATERIALS, ETC. The Literature of ancient Egypt is the product of a period of about four thousand years, and it was written in three kinds of writing, which are called hieroglyphic, hieratic, and demotic. In the first of these the characters were pictures of objects, in the second the forms of the characters were made as simple as possible so that they might be written quickly, and in... more...


IDust “I see the ships,” said The Eavesdropper, as he stole round the world to me, “on a dozen sides of the world. I hear them fighting with the sea.” “And what do you see on the ships?” I said. “Figures of men and women—thousands of figures of men and women.” “And what are they doing?” “They are walking fiercely,” he said,—“some of... more...

I think that every man ought to work for his living, without exception, and that when he has once avouched his willingness to work, society should provide him with work and warrant him a living. I do not think any man ought to live by an art. A man's art should be his privilege, when he has proven his fitness to exercise it, and has otherwise earned his daily bread; and its results should be free to all. There is an instinctive sense of this,... more...

I.   LD King Cole Was a merry old soul, And a merry old soul was he; He called for his pipe, And he called for his bowl, And he called for his fiddlers three. Every fiddler, he had a fiddle, And a very fine fiddle had he; Twee tweedle dee, tweedle dee, went the fiddlers. Oh, there's none so rare, As can compare With King Cole and his fiddlers three! [The traditional Nursery Rhymes of England commence with a legendary satire... more...

CHAPTER I INTRODUCTORY In history we find certain names associated with great movements: Luther with the Reformation, or Garibaldi with the liberation of Italy. Luther certainly posted on the door of the church at Wittenberg his famous Theses, and burnt the Papal Bull at the gates of that city; yet before Luther there lived men, such as the scholar Erasmus, who have been appropriately named Reformers before the Reformation. So, too, Cavour's... more...

"It would be hard to name a better commonplace book for summer lawns. . . . The lover of poetry, the lover of gardening, and the lover of quaint, out-of-the-way knowledge will each find something to please him. . . . It is a delightful example of gardening literature."—Pall Mall Gazette. "Mr. Ellacombe, with a double enthusiasm for Shakespeare and for his garden, has produced a very readable and graceful... more...