Literary Criticism
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American Books
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Bliss Perry
CHAPTER I. THE PIONEERS The United States of America has been from the beginning in a perpetual change. The physical and mental restlessness of the American and the temporary nature of many of his arrangements are largely due to the experimental character of the exploration and development of this continent. The new energies released by the settlement of the colonies were indeed guided by stern...
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CHAPTER I. THE COLONIAL PERIOD. 1607-1765. The writings of our colonial era have a much greater importance as history than as literature. It would be unfair to judge of the intellectual vigor of the English colonists in America by the books that they wrote; those "stern men with empires in their brains" had more pressing work to do than the making of books. The first settlers, indeed, were...
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Long before I began the papers which make up this volume, I had meant to write of literary history in New England as I had known it in the lives of its great exemplars during the twenty-five years I lived near them. In fact, I had meant to do this from the time I came among them; but I let the days in which I almost constantly saw them go by without record save such as I carried in a memory retentive,...
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I have already spoken of my earliest meetings with Lowell at Cambridge when I came to New England on a literary pilgrimage from the West in 1860. I saw him more and more after I went to live in Cambridge in 1866; and I now wish to record what I knew of him during the years that passed between this date and that of his death. If the portrait I shall try to paint does not seem a faithful likeness to...
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Bliss Perry
I Race, Nation, and Book Many years ago, as a student in a foreign university, I remember attacking, with the complacency of youth, a German history of the English drama, in six volumes. I lost courage long before the author reached the age of Elizabeth, but I still recall the subject of the opening chapter: it was devoted to the physical geography of Great Britain. Writing, as the good German...
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I think that every man ought to work for his living, without exception, and that when he has once avouched his willingness to work, society should provide him with work and warrant him a living. I do not think any man ought to live by an art. A man's art should be his privilege, when he has proven his fitness to exercise it, and has otherwise earned his daily bread; and its results should be free...
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It was in the little office of James T. Fields, over the bookstore of Ticknor & Fields, at 124 Tremont Street, Boston, that I first met my friend of now forty-four years, Samuel L. Clemens. Mr. Fields was then the editor of The Atlantic Monthly, and I was his proud and glad assistant, with a pretty free hand as to manuscripts, and an unmanacled command of the book-notices at the end of the...
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My recollections of Bret Harte begin with the arrest, on the Atlantic shore, of that progress of his from the Pacific Slope, which, in the simple days of 1871, was like the progress of a prince, in the universal attention and interest which met and followed it. He was indeed a prince, a fairy prince in whom every lover of his novel and enchanting art felt a patriotic property, for his promise and...
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