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FIRST SCENE.—The Cottage on the Frontier.PREAMBLE.THE place is France. The time is autumn, in the year eighteen hundred and seventy—the year of the war between France and Germany. The persons are, Captain Arnault, of the French army; Surgeon Surville, of the French ambulance; Surgeon Wetzel, of the German army; Mercy Merrick, attached as nurse to the French ambulance; and Grace Roseberry, a... more...

When I was honoured by the invitation to deliver this course of lectures, I did not accept without some hesitation. I am not qualified to speak with authority upon such subjects as have been treated by my predecessors—the course of political events or the growth of legal institutions. My attention has been chiefly paid to the history of literature, and it might be doubtful whether that study is... more...

INTRODUCTION A section of a long and splendid literature can be most conveniently treated in one of two ways. It can be divided as one cuts a currant cake or a Gruyère cheese, taking the currants (or the holes) as they come. Or it can be divided as one cuts wood—along the grain: if one thinks that there is a grain. But the two are never the same: the names never come in the same order in actual time... more...

SOME THOUGHTS OF A READER OF TENNYSON Fifty years after Tennyson’s birth he was saluted a great poet by that unanimous acclamation which includes mere clamour.  Fifty further years, and his centenary was marked by a new detraction.  It is sometimes difficult to distinguish the obscure but not unmajestic law of change from the sorry custom of reaction.  Change hastes not and rests not, reaction... more...

SCHOOL There was strange disorder in Miss Rutherford's schoolroom, wont to be the abode of decorum. True, it was the gathering-time after the dinner-hour, and Miss Rutherford herself was as yet out of sight; but things seemed to be going forward of a somewhat more serious kind than a game of romps among the children. There were screams and sobbings, hysterical cries for help; some of the little... more...

STYLE [5] SINCE all progress of mind consists for the most part in differentiation, in the resolution of an obscure and complex object into its component aspects, it is surely the stupidest of losses to confuse things which right reason has put asunder, to lose the sense of achieved distinctions, the distinction between poetry and prose, for instance, or, to speak more exactly, between the laws and... more...

CHAPTER I Mayday afternoon in Oxford Street, and Felix Freeland, a little late, on his way from Hampstead to his brother John's house in Porchester Gardens. Felix Freeland, author, wearing the very first gray top hat of the season. A compromise, that—like many other things in his life and works—between individuality and the accepted view of things, aestheticism and fashion, the critical sense... more...

PREFACE Writing not long ago to my oldest literary friend, I expressed in a moment of heedless sentiment the wish that we might have again one of our talks of long-past days, over the purposes and methods of our art. And my friend, wiser than I, as he has always been, replied with this doubting phrase "Could we recapture the zest of that old time?" I would not like to believe that our faith in... more...

PHELIM O'TOOLE'S COURTSHIP. Phelim O'Toole, who had the honor of being that interesting personage, an only son, was heir to a snug estate of half an acre, which had been the family patrimony since the time of his grandfather, Tyrrell O'Toole, who won it from the Sassenah at the point of his reaping-hook, during a descent once made upon England by a body of "spalpeens," in... more...

CHARACTERISTICS OF VICTORIAN LITERATURE That which in England is conveniently described as the Victorian Age of literature has a character of its own, at once brilliant, diverse, and complex. It is an age peculiarly difficult to label in a phrase; but its copious and versatile gifts will make it memorable in the history of modern civilisation. The Victorian Age, it is true, has no Shakespeare or... more...