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VII October 1882—August 1884 In the two years and odd months since his return from California, Stevenson had made no solid gain of health. His winters, and especially his second winter, at Davos had seemed to do him much temporary good; but during the summers in Scotland he had lost as much as he had gained, or more. Loving the Mediterranean shores of France from of old, he now made up his mind to... more...

INTRODUCTION The circumstances which have made me responsible for selecting and editing the correspondence of Robert Louis Stevenson are the following. He was for many years my closest friend. We first met in 1873, when he was in his twenty-third year and I in my twenty-ninth, at the place and in the manner mentioned at page 54 of this volume. It was my good fortune then to be of use to him, partly by... more...

ACT I TABLEAU I The Double Life The Stage represents a room in the Deacon’s house, furnished partly as a sitting-, partly as a bed-room, in the style of an easy burgess of about 1780. C., a door; L.C., second and smaller door; R.C., practicable window; L., alcove, supposed to contain bed; at the back, a clothes-press and a corner cupboard containing bottles, etc. Mary Brodie at needlework; Old... more...

THE FOREIGNER AT HOME “This is no’ my ain house; I ken by the biggin’ o’t.” Two recent books, one by Mr. Grant White on England, one on France by the diabolically clever Mr. Hillebrand, may well have set people thinking on the divisions of races and nations. Such thoughts should arise with particular congruity and force to inhabitants of that United Kingdom, peopled from so many different... more...

THE SECOND CABIN I first encountered my fellow-passengers on the Broomielaw in Glasgow. Thence we descended the Clyde in no familiar spirit, but looking askance on each other as on possible enemies. A few Scandinavians, who had already grown acquainted on the North Sea, were friendly and voluble over their long pipes; but among English speakers distance and suspicion reigned supreme. The sun was soon... more...

by: Various
THEPREFACE. In the Preface to the First Number of this Catalogue, I mentioned that the Design of it was Principally intended to inform Gentlemen, Ladies, &c. who live remote from London, (at a small Expence), what Books, Pamphlets, Prints, &c. were published in the Preceeding Year; with their exact Prices, and whom printed for. And to make this Annual Catalogue more Compleat and Useful, I have... more...

Chapter I THE COURAGE OF HUGH WALPOLE i Says his American contemporary, Joseph Hergesheimer, in an appreciation of Hugh Walpole: “Mr. Walpole’s courage in the face of the widest scepticism is nowhere more daring than in The Golden Scarecrow.” Mr. Walpole’s courage, I shall always hold, is nowhere more apparent than in the choice of his birthplace. He was born in the Antipodes. Yes! In that... more...

ABBOTT, JACOB (1803-1879). —Educationalist and miscellaneous author, b. at Hallowell, Maine, ed. at Bowdoin Coll. and Andover, entered the ministry of the Congregational Church, but was best known as an educationist and writer of religious and other books, mainly for the young. Among them are Beechnut Tales and The Rollo Books, both of which still have a very wide circulation. ABBOTT, JOHN STEVENS... more...

INTRODUCTION THE KINDS OF CRITICISM It is probably unnecessary, and might possibly be impertinent, to renew here at any length the old debate between reviewers as reviewers, and reviewers as authors—the debate whether the reissue of work contributed to periodicals is desirable or not. The plea that half the best prose literature of this century would be inaccessible if the practice had been... more...

Preface Several anthologies of poems by Yorkshiremen, or about Yorkshiremen, have passed through the press since Joseph Ritson published his Yorkshire Garland in 1786. Most of these have included a number of dialect poems, but I believe that the volume which the reader now holds in his hand is the first which is made up entirely of poems written in "broad Yorkshire." In my choice of poems I... more...