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I Little George was making hills of sand in one of the walks; he took it up with both his hands, made it into a pyramid, and then put a chestnut leaf on the top, and his father, sitting on an iron chair was looking at him with concentrated and affectionate attention, and saw nobody but him in that small public garden which was full of people. All along the circular road other children were occupied in... more...

CHAPTER I. Walter Scott.[1] It was reserved for Walter Scott, "the Ariosto of the North," "the historiographer royal of feudalism," to accomplish the task which his eighteenth-century forerunners had essayed in vain. He possessed the true enchanter's wand, the historic imagination. With this in his hand, he raised the dead past to life, made it once more conceivable, made it even... more...

To Mr. J. Howard Moore: Feb. 2, '07. DEAR MR. MOORE, The book has furnished me several days of deep pleasure and satisfaction; it has compelled my gratitude at the same time, since it saves me the labor of stating my own long-cherished opinions and reflections and resentments by doing it lucidly and fervently and irascibly for me. There is one thing that always puzzles me: as inheritors of the... more...

This edition of the correspondence of Charles and Mary Lamb contains 618 letters, of which 45 are by Mary Lamb alone. It is the only edition to contain all Mary Lamb's letters and also a reference to, or abstract of, every letter of Charles Lamb's that cannot, for reasons of copyright, be included. Canon Ainger's last edition contains 467 letters and the Every-man's Library Edition... more...

I Early in the autumn of 1826 the Abbe Birotteau, the principal personage of this history, was overtaken by a shower of rain as he returned home from a friend's house, where he had been passing the evening. He therefore crossed, as quickly as his corpulence would allow, the deserted little square called "The Cloister," which lies directly behind the chancel of the cathedral of Saint-Gatien... more...

I There are houses in certain provincial towns whose aspect inspires melancholy, akin to that called forth by sombre cloisters, dreary moorlands, or the desolation of ruins. Within these houses there is, perhaps, the silence of the cloister, the barrenness of moors, the skeleton of ruins; life and movement are so stagnant there that a stranger might think them uninhabited, were it not that he... more...

LA GRENADIERE La Grenadiere is a little house on the right bank of the Loire as you go down stream, about a mile below the bridge of Tours. At this point the river, broad as a lake, and covered with scattered green islands, flows between two lines of cliff, where country houses built uniformly of white stone stand among their gardens and vineyards. The finest fruit in the world ripens there with a... more...

The Monday Evening Club of Hartford was an association of most ofthe literary talent of that city, and it included a number of verydistinguished members. The writers, the editors, the lawyers, andthe ministers of the gospel who composed it were more often than notmen of national or international distinction. There was but onepaper at each meeting, and it was likely to be a paper that wouldlater find... more...

THE DOME He wakened from a charming dream, in which the hat had played a conspicuous part. 'I shouldn't mind having that hat,' he murmured. A darkness which no eye could penetrate surrounded him as he lay in bed. Absolute obscurity was essential to the repose of that singular brain, and he had perfected arrangements for supplying the deficiencies of Nature's night. He touched a... more...

ESSAY I. ON THE PLEASURE OF PAINTING 'There is a pleasure in painting which none but painters know.' In writing, you have to contend with the world; in painting, you have only to carry on a friendly strife with Nature. You sit down to your task, and are happy. From the moment that you take up the pencil, and look Nature in the face, you are at peace with your own heart. No angry passions rise... more...