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General Books
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ADVERTISEMENT. What I have here to say is rather in the nature of an apology than of a preface or advertisement. The very title of a Treatise upon the art of dancing by a dancing-master, implicitly threatens so much either of the exageration of the profession, or of the recommendation of himself, and most probably of both, that it cannot be improper for me to bespeak the reader’s favorable precaution...
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E. R. Billings
THE TOBACCO PLANT. Botanical Description — Ancient Plant-Bed — Description of the Leaves — Color of Leaves — Blossoms — The Capsules and Seed — Selection for Seed — Suckers — Nicotine Qualities — Medicinal Properties — Improvement in Plants. CHAPTER TOBACCO. ITS DISCOVERY. Early Use — Origin of its Name — Early Snuff-Taking — Tobacco in Mexico — Comparative Qualities of...
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PREFACE It is very difficult to write a preface to a work which is expressly intended as a revelation of the faith of the writer. The successive stages of thought and emotion that have been passed through are still too near, and one feels too deeply. I have made several futile attempts to concentrate into a short note the Truths about Woman that I have tried to convey in my book. I find it impossible...
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THE WAR THAT NEVER ENDS If, at last the sword is sheathed,And men, exhausted, call it peace,Old Nature wears no olive wreath,The weapons change—war does not cease. The little struggling blades of grassThat lift their heads and will not die,The vines that climb where sunbeams pass,And fight their way toward the sky! And every soul that God has made,Who from despair their lives defendAnd struggling...
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I. AS TO HUMANNESS. Let us begin, inoffensively, with sheep. The sheep is a beast with which we are all familiar, being much used in religious imagery; the common stock of painters; a staple article of diet; one of our main sources of clothing; and an everyday symbol of bashfulness and stupidity. In some grazing regions the sheep is an object of terror, destroying grass, bush and forest by omnipresent...
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CHARACTERISTICS OF WOMEN. INTRODUCTION. Scene—A Library. ALDA. You will not listen to me? MEDON. I do, with all the deference which befits a gentleman when a lady holds forth on the virtues of her own sex.He is a parricide of his mother's name,And with an impious hand murders her fame,That wrongs the praise of women; that dares writeLibels on saints, or with foul ink requiteThe milk they lent...
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by:
Peter C. Welsh
This history of woodworking hand tools from the 17th to the 20th century is one of a very gradual evolution of tools through generations of craftsmen. As a result, the sources of changes in design are almost impossible to ascertain. Published sources, moreover, have been concerned primarily with the object shaped by the tool rather than the tool itself. The resulting scarcity of information is somewhat...
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