Classics Books

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When the cashier had given him the change out of his five francpiece, George Duroy left the restaurant. As he had a good carriage, both naturally and from his military training, he drew himself up, twirled his moustache, and threw upon the lingering customers a rapid and sweeping glance—one of those glances which take in everything within their range like a casting net. The women looked up at him in... more...

by: Plato
INTRODUCTION AND ANALYSIS. In the Phaedrus, the Republic, the Philebus, the Parmenides, and the Sophist, we may observe the tendency of Plato to combine two or more subjects or different aspects of the same subject in a single dialogue. In the Sophist and Statesman especially we note that the discussion is partly regarded as an illustration of method, and that analogies are brought from afar which... more...

CHAPTER IT I crave the indulgence of the reader whilst I explain as briefly as possible the plan upon which I have written this short life of the great sovereign who firmly established the Mughal dynasty in India. The original conception of such an empire was not Akbar's own. His grandfather, Bábar, had conquered a great portion of India, but during the five years which elapsed between the... more...

HENRY ESMOND [Illustration: HENRY ESMOND AND THE CASTLEWOODS.] When Francis, fourth Viscount Castlewood, came to his title, and, presently after, to take possession of his house of Castlewood, County Hants, in the year 1691, almost the only tenant of the place besides the domestics was a lad of twelve years of age, of whom no one seemed to take any note until my Lady Viscountess lighted upon him, going... more...

THE RALESTONES COME HOME "Once upon a time two brave princes and a beautiful princess set out to make their fortunes—" began the dark-haired, dark-eyed boy by the roadster. "Royalty is out of fashion," corrected Ricky Ralestone somewhat indifferently. "Can't you do better than that?" She gave her small, pert hat an exasperated tweak which brought the unoffending... more...

I. Real and Ideal—these are the handy terms, admiring or disapproving, which criticism claps with random facility on to every imaginable school. This artist or group of artists goes in for the real—the upright, noble, trumpery, filthy real; that other artist or group of artists seeks after the ideal—the ideal which may mean sublimity or platitude. We summon every living artist to state whether he... more...

I The trouble was not in being a bank clerk, but in being a clerk in a bank that wanted him to be nothing but a bank clerk. That kind always enriches first the bank and later on a bit of soil. Hendrik Rutgers had no desire to enrich either bank or soil. He was blue-eyed, brown-haired, clear-skinned, rosy-cheeked, tall, well-built, and square-chinned. He always was in fine physical trim, which made... more...

CHAPTER I GENERAL CHARACTERS The word Lepidoptera, which you see at the head of this page, is the name of the order of insects to which this volume is to be devoted. It is formed from two Greek words, one (lepis) signifying a scale, and the other (pteron) denoting a wing; and was applied by the great naturalist Linnæus to the scaly-winged insects popularly known as Butterflies and Moths.Fig.... more...

by: Various
A, the first letter in many alphabets. The sound most commonly belonging to it, as in French, Italian, German, &c., is that which is heard in father, pronounced short or long. In English the letter is made to represent at least seven sounds, as in father, mat, mate, mare, many, ball, what, besides being used in such digraphs as ea in heat, oa in boat.—A, in music, is the sixth note in the... more...

There was a certain country where things used to go rather oddly. For instance, you could never tell whether it was going to rain or hail, or whether or not the milk was going to turn sour. It was impossible to say whether the next baby would be a boy, or a girl, or even, after he was a week old, whether he would wake sweet-tempered or cross. In strict accordance with the peculiar nature of this... more...