Classics Books

THE OLD SAILOR. Jack Mason had been to sea a great many times when I first knew him, and he has been a great many times since. He has sailed in a ship almost all over the world. Such a host of stories as he can tell! Why, I do believe if he could find little boys and girls to talk to, he would begin in the morning as soon as he had got through his breakfast, and do nothing but tell stories about what... more...

At length I returned from two weeks leave of absence to find that my patrons had arrived three days ago in Roulettenberg. I received from them a welcome quite different to that which I had expected. The General eyed me coldly, greeted me in rather haughty fashion, and dismissed me to pay my respects to his sister. It was clear that from SOMEWHERE money had been acquired. I thought I could even detect a... more...

CHAPTER IA RATIONAL VOCAL METHODSong, so far as voice-production is concerned, is the result of physiological action, and as voice-production is the basis of all song, it follows that a singing method, to be correct, must be based on the correct physiological use of the vocal organs. The physiology of voice-production lies, therefore, at the very foundation of artistic singing. The proper physiological... more...

Chapter I. For a thousand years after the schools of Athens were closed by Justinian philosophy made no real advance; no essentially new ideas about the constitution of nature, the workings of mind, or the ends of life were put forward. It would be false to say that during this period no progress was made. The civilisation of the Roman Empire was extended far beyond its ancient frontiers; and, although... more...

THE DOLLIVER ROMANCE. In "The Dolliver Romance," only three chapters of which the author lived to complete, we get an intimation as to what would have been the ultimate form given to that romance founded on the Elixir of Life, for which "Septimius Felton" was the preliminary study. Having abandoned this study, and apparently forsaken the whole scheme in 1862, Hawthorne was moved to... more...

“‘St. Ronan's Well’ is not so much my favourite as certain of its predecessors,” Lady Louisa Stuart wrote to Scott on March 26, 1824. “Yet still I see the author's hand in it, et c'est tout dire. Meg Dods, the meeting” (vol. i. chap. ix.), “and the last scene between Clara and her brother, are marked with the true stamp, not to be matched or mistaken. Is the Siege of... more...

INTRODUCTORY.—NUMBER ONE. I would that it were possible so to tell a story that a reader should beforehand know every detail of it up to a certain point, or be so circumstanced that he might be supposed to know. In telling the little novelettes of our life, we commence our narrations with the presumption that these details are borne in mind, and though they be all forgotten, the stories come out... more...

hen you are out in a clear night in summer, the sky looks very warm and friendly. The moon is a big pleasant place where it may not be so humid as where you are, and it is lighter than anything you've ever seen. That's the way it is in summer. You never think about space being "out there". It's all one big wonderful thing, and you can never really fall off, or have anything bad... more...

CHAPTER I A PROBLEM "Where are the children?" "They can't be far away," replied my wife, looking up from her preparations for supper. "Bobsey was here a moment ago. As soon as my back's turned he's out and away. I haven't seen Merton since he brought his books from school, and I suppose Winnie is upstairs with the Daggetts." "I wish, my dear, you could... more...

Preface We were talking last evening—as the blue moon-mist poured in through the old-fashioned grated window, and mingled with our yellow lamplight at table—we were talking of a certain castle whose heir is initiated (as folk tell) on his twenty-first birthday to the knowledge of a secret so terrible as to overshadow his subsequent life. It struck us, discussing idly the various mysteries and... more...