Classics Books

CHAPTER XVII. When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression. Why was the object presented to us? In itself it seemed comparatively insignificant.... more...

CHAPTER I. INTRODUCING TO THE READER THE CHIEF PERSONAGE OF THIS NARRATIVE. At that famous period of history, when the seventeenth century (after a deal of quarrelling, king-killing, reforming, republicanising, restoring, re-restoring, play-writing, sermon-writing, Oliver-Cromwellising, Stuartising, and Orangising, to be sure) had sunk into its grave, giving place to the lusty eighteenth; when Mr.... more...

CHAPTER I. The best bed-chamber, with its hangings of crimson moreen, was opened and aired—a performance which always caused my eight little brothers and sisters to place themselves in convenient positions for being stumbled over, to the great annoyance of industrious damsels, who, armed with broom and duster, endeavored to render their reign as arbitrary as it was short. For some time past, the... more...

INTRODUCTION. There is a passion, or a perversion of appetite, which, like all human passions, has played a considerable part in the world's history for good or evil; but which has hardly yet received the philosophical attention and the scientific investigation it deserves. The reason of this may be that in all Christian societies the passion under consideration has been condemned to pariahdom;... more...

GUSTAVE DORE. The subject of this sketch is, perhaps, the most original and variously gifted designer the world has ever known. At an age when most men have scarcely passed their novitiate in art, and are still under the direction and discipline of their masters and the schools, he had won a brilliant reputation, and readers and scholars everywhere were gazing on his work with ever-increasing wonder... more...

THE HOUSE OF MYSTERY I THE UNKNOWN GIRL In a Boston and Albany parlor-car, east bound through the Berkshires, sat a young man respectfully, but intently studying a young woman. Now and then, from the newspapers heaped in mannish confusion about his chair, he selected another sheet. Always, he took advantage of this opportunity to face the chair across the aisle and to sweep a glance over a piquant... more...

Chapter I The Tragedy of Rozillah UST look at her now, Molly! Isn't she the sweetest thing you ever saw?" Molly, that is, Myself, sitting on the door-step, elbows on knees and shoulders hunched sullenly up to my ears, did not budge or speak. Before my gloomy eyes was the kitchen yard, a gray and gritty expanse, with never a tree or bush to shade it except the lilac hedge bounding it on the... more...

A LEADER FROM A FOREIGN NEWSPAPER: THE NEW RUSSIAN MANIFESTO. Mention was recently made, in Vol. ix., p. 218., of the valuable character of many of the leading articles in the continental journals, and a wish expressed that translations of them were more frequently communicated in our own papers to English readers. The great newspapers of this country are too rich in varied talent and worldwide... more...

I Strether's first question, when he reached the hotel, was about his friend; yet on his learning that Waymarsh was apparently not to arrive till evening he was not wholly disconcerted. A telegram from him bespeaking a room "only if not noisy," reply paid, was produced for the enquirer at the office, so that the understanding they should meet at Chester rather than at Liverpool remained to... more...

ACT I The Wood-cutter's Cottage The cottage-scene in The Blue Bird: the interior of a wood-cutter's cabin, simple and rustic in appearance, but in no way poverty-stricken. A recessed fireplace containing the dying embers of a wood-fire. Kitchen-utensils, a cupboard, a bread-pan, a grandfather's clock, a spinning-wheel, a water-tap, etc. A dog and a cat asleep. A large blue-and-white... more...