Classics Books

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I The trouble was not in being a bank clerk, but in being a clerk in a bank that wanted him to be nothing but a bank clerk. That kind always enriches first the bank and later on a bit of soil. Hendrik Rutgers had no desire to enrich either bank or soil. He was blue-eyed, brown-haired, clear-skinned, rosy-cheeked, tall, well-built, and square-chinned. He always was in fine physical trim, which made... more...

I. Real and Ideal—these are the handy terms, admiring or disapproving, which criticism claps with random facility on to every imaginable school. This artist or group of artists goes in for the real—the upright, noble, trumpery, filthy real; that other artist or group of artists seeks after the ideal—the ideal which may mean sublimity or platitude. We summon every living artist to state whether he... more...

THE RALESTONES COME HOME "Once upon a time two brave princes and a beautiful princess set out to make their fortunes—" began the dark-haired, dark-eyed boy by the roadster. "Royalty is out of fashion," corrected Ricky Ralestone somewhat indifferently. "Can't you do better than that?" She gave her small, pert hat an exasperated tweak which brought the unoffending... more...

HENRY ESMOND [Illustration: HENRY ESMOND AND THE CASTLEWOODS.] When Francis, fourth Viscount Castlewood, came to his title, and, presently after, to take possession of his house of Castlewood, County Hants, in the year 1691, almost the only tenant of the place besides the domestics was a lad of twelve years of age, of whom no one seemed to take any note until my Lady Viscountess lighted upon him, going... more...

CHAPTER IT I crave the indulgence of the reader whilst I explain as briefly as possible the plan upon which I have written this short life of the great sovereign who firmly established the Mughal dynasty in India. The original conception of such an empire was not Akbar's own. His grandfather, Bábar, had conquered a great portion of India, but during the five years which elapsed between the... more...

by: Plato
INTRODUCTION AND ANALYSIS. In the Phaedrus, the Republic, the Philebus, the Parmenides, and the Sophist, we may observe the tendency of Plato to combine two or more subjects or different aspects of the same subject in a single dialogue. In the Sophist and Statesman especially we note that the discussion is partly regarded as an illustration of method, and that analogies are brought from afar which... more...

When the cashier had given him the change out of his five francpiece, George Duroy left the restaurant. As he had a good carriage, both naturally and from his military training, he drew himself up, twirled his moustache, and threw upon the lingering customers a rapid and sweeping glance—one of those glances which take in everything within their range like a casting net. The women looked up at him in... more...

hen he was nine, Vogel almost killed another boy who inadvertently scattered his half-completed jigsaw puzzle. At sixteen, he discovered the mysteries of the Danish Gambit, and cried. At twenty-two, he crouched in a foxhole on Okinawa, oblivious to the death bursting about him, squinting in a painful ecstasy at the tattered fragment of newspaper on his knee. His sergeant screamed in agony, then died at... more...

Spaceship crews should be selected on the basis of their non-irritating qualities as individuals. No chronic complainers, no hypochondriacs, no bugs on cleanliness—particularly no one-man parties. I speak from bitter experience. Because on the first expedition to Mars, Hugh Allenby damned near drove us nuts with his puns. We finally got so we just ignored them. But no one can ignore that classic last... more...

I. On a January evening of the early seventies, Christine Nilsson was singing in Faust at the Academy of Music in New York. Though there was already talk of the erection, in remote metropolitan distances "above the Forties," of a new Opera House which should compete in costliness and splendour with those of the great European capitals, the world of fashion was still content to reassemble every... more...