Classics Books

CHAPTER ITHE CAUSES OF THE WARIn many quarters of the world, especially in certain sections of the British public, people believed that the German nation was led blindly into the World War by an unscrupulous military clique. Now, however, there is ample evidence to prove that the entire nation was thoroughly well informed of the course which events were taking, and also warned as to the catastrophe to... more...

Hast thou a medicine to restore my wits When I have lost them?--If not, leave to talk. Beaumont and Fletcher; Philaster. In this perplexity, whilst sitting down to clear up his thoughts and to consider of his future motions, Bertram suddenly remembered that immediately before the attack on the revenue officers, a note had been put into his hand--which he had at that time neglected to read under the... more...

FOREWORD. In the first rare spring of song, In my heart's young hours, In my youth 't was thus I sang, Choosing 'mid the flowers:— "Fair the Dandelion is, But for me too lowly; And the winsome Violet Is, forsooth, too holy. 'But the Touchmenot?' Go to! What! a face that's speckled Like a common milking-maid's, Whom the sun hath freckled. Then the Wild-Rose is a... more...

In one of Rossetti's invaluable notes on poetry, he tells us that to him "the leading point about Coleridge's work is its human love." We may remember Coleridge's own words:   "To be beloved is all I need,  And whom I love, I love indeed." Yet love, though it is the word which he uses of himself, is not really what he himself meant when using it, but rather an... more...

The following articles are now, after forty-five years, for the first time collected and printed in book form. They are an invaluable pendant to Marx's work on the coup d'état of Napoleon III. ("Der Achtzehnte Brumaire des Louis Bonaparte.") Both works belong to the same period, and both are what Engels calls "excellent specimens of that marvellous gift ... of Marx ... of... more...

THE PASSING SHOW. I.   I know not if it was a dream. I viewed  A city where the restless multitude,    Between the eastern and the western deep  Had roared gigantic fabrics, strong and rude.   Colossal palaces crowned every height;  Towers from valleys climbed into the light;    O'er dwellings at their feet, great golden domes  Hung in the blue, barbarically bright.   But... more...

erhaps Gellius's 'Attic Nights' may claim especial mention here, as one of the earliest extant forerunners of this 'Library.' In the original preface (given first among the citations), Gellius explains very clearly the origin and scope of his work. It is not, however, a mere scrap-book. There is original matter in many chapters. In particular, an ethical or philosophic excerpt... more...

INTRODUCTION. In several of the dialogues of Plato, doubts have arisen among his interpreters as to which of the various subjects discussed in them is the main thesis. The speakers have the freedom of conversation; no severe rules of art restrict them, and sometimes we are inclined to think, with one of the dramatis personae in the Theaetetus, that the digressions have the greater interest. Yet in the... more...

CHAPTER I A MESSAGE FROM THE WOODFOLK Nimble-toes Field-mouse trotted briskly along the dark subway and up the steep attic stairway in Mr. Giant's house. He had travelled a long way from his woodland home and it was getting late. The door of the cosy attic where Cousin Graymouse lived was ajar. Nimble-toes paused to get his breath and peep in at the busy, happy family. Mother Graymouse sat in her... more...

NEW YORK, Saturday, October 12, 1878. Bang! click! the desk closes, the key turns, and good-bye for a year to my wards—that goodly cluster over which I have watched with parental solicitude for many a day; their several cribs full of records and labelled Union Iron Mills, Lucy Furnaces, Keystone Bridge Works, Union Forge, Cokevale Works, and last, but not least, that infant Hercules, the Edgar... more...